"Passion is universal humanity. Without it religion, history, romance and art would be useless"
About this Quote
Balzac’s line doesn’t romanticize passion so much as weaponize it. He treats emotion less like a private feeling and more like the engine that makes human institutions legible. “Universal humanity” is a sly reversal: reason, doctrine, and custom like to claim universality, but Balzac insists the only thing that actually travels across class, nation, and era is the force that makes people act against their own interests.
The barb is in the second sentence. Religion, history, romance, art: pillars of meaning that often present themselves as elevated, even transcendent. Balzac punctures that self-seriousness by calling them “useless” without passion. Not wrong or false, just inert. He’s arguing that these systems don’t matter because they contain truth; they matter because they contain heat. Strip out desire, jealousy, ambition, grief, longing and what’s left is documentation, etiquette, ornament.
Context does a lot of work here. Balzac’s novels are crowded with strivers, lovers, debtors, social climbers; in Restoration France, money and status are the new theology, and passion is how you watch the soul get bargained, sold, or redeemed. The subtext: culture is not a museum of ideals but a record of appetites. Passion is also democratic in his view, but not necessarily noble. It elevates art and fuels romance, yes; it also births fanaticism, vendettas, and historical catastrophe. That tension is exactly why the line works: it flatters our need for meaning while reminding us that meaning is powered by the messiest parts of us.
The barb is in the second sentence. Religion, history, romance, art: pillars of meaning that often present themselves as elevated, even transcendent. Balzac punctures that self-seriousness by calling them “useless” without passion. Not wrong or false, just inert. He’s arguing that these systems don’t matter because they contain truth; they matter because they contain heat. Strip out desire, jealousy, ambition, grief, longing and what’s left is documentation, etiquette, ornament.
Context does a lot of work here. Balzac’s novels are crowded with strivers, lovers, debtors, social climbers; in Restoration France, money and status are the new theology, and passion is how you watch the soul get bargained, sold, or redeemed. The subtext: culture is not a museum of ideals but a record of appetites. Passion is also democratic in his view, but not necessarily noble. It elevates art and fuels romance, yes; it also births fanaticism, vendettas, and historical catastrophe. That tension is exactly why the line works: it flatters our need for meaning while reminding us that meaning is powered by the messiest parts of us.
Quote Details
| Topic | Wisdom |
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