"Peace is produced by war"
About this Quote
Corneille’s line lands like a paradox because it’s meant to: it forces the listener to admit the ugly mechanics behind “order.” In a dramatist’s mouth, “Peace is produced by war” isn’t a bumper-sticker defense of violence; it’s a stage direction for power. Peace is framed less as a moral achievement than as an output, a manufactured condition purchased through coercion. The verb “produced” does cold work here, stripping peace of halo and giving it the texture of logistics: inputs, costs, winners, waste.
The subtext is classical and courtly. Corneille wrote in a 17th-century France where the state was centralizing, monarchy was asserting itself, and civil conflict still haunted the imagination. In that world, war doesn’t simply interrupt peace; it authorizes the sovereign to define what peace will look like afterward. The line flatters the logic of raison d’Etat while also exposing it. If peace is something you “produce,” it can be staged, declared, enforced, revoked.
Corneille’s plays obsess over honor, duty, and the violence required to stabilize them. The quote echoes the grim bargain at the heart of his tragedies: private virtue and public calm often depend on spectacular acts of force. It “works” because it refuses consolation. It makes the audience sit with the possibility that peace isn’t the opposite of war, but war’s most successful propaganda: the quiet that follows when resistance has been exhausted.
The subtext is classical and courtly. Corneille wrote in a 17th-century France where the state was centralizing, monarchy was asserting itself, and civil conflict still haunted the imagination. In that world, war doesn’t simply interrupt peace; it authorizes the sovereign to define what peace will look like afterward. The line flatters the logic of raison d’Etat while also exposing it. If peace is something you “produce,” it can be staged, declared, enforced, revoked.
Corneille’s plays obsess over honor, duty, and the violence required to stabilize them. The quote echoes the grim bargain at the heart of his tragedies: private virtue and public calm often depend on spectacular acts of force. It “works” because it refuses consolation. It makes the audience sit with the possibility that peace isn’t the opposite of war, but war’s most successful propaganda: the quiet that follows when resistance has been exhausted.
Quote Details
| Topic | Peace |
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