"People always ask me if I'm going to stop modeling because I have started an acting career. I hope to continue to model for years to come"
About this Quote
Banks is answering a question that pretends to be practical but is really disciplinary: when a woman gets ambitious, the culture asks her to pick one acceptable lane and stay there. The wording matters. "People always ask me" frames the pressure as constant, almost ritualized, and it quietly shames the asker: why is this the default assumption? The question itself carries a hierarchy - acting as the "serious" upgrade, modeling as the disposable phase you age out of. Banks refuses the premise.
Her response is disarmingly plain, which is the point. There's no manifesto, just a calm assertion of continuity: "I hope to continue". That soft verb works like a diplomatic shield, but the subtext is firmer: I don't need your permission to be multiple things. In the late-90s/early-2000s moment when supermodels were both celebrities and punchlines, this is also a bid to control narrative. Models were expected to be replaceable; actresses were allowed longevity. Banks is insisting that modeling can be a career, not a temporary contract with youth.
There's an identity politics here too, even if she doesn't name it. As a Black model who broke through in spaces that were not built for her, "stop" is loaded - it echoes how quickly the industry moves on, how easily visibility is treated as a trend. She positions her pivot to acting not as escape from modeling but as expansion. The intent is brand management, yes, but it's also a small piece of cultural resistance: rejecting the either/or that keeps women marketable only when they're contained.
Her response is disarmingly plain, which is the point. There's no manifesto, just a calm assertion of continuity: "I hope to continue". That soft verb works like a diplomatic shield, but the subtext is firmer: I don't need your permission to be multiple things. In the late-90s/early-2000s moment when supermodels were both celebrities and punchlines, this is also a bid to control narrative. Models were expected to be replaceable; actresses were allowed longevity. Banks is insisting that modeling can be a career, not a temporary contract with youth.
There's an identity politics here too, even if she doesn't name it. As a Black model who broke through in spaces that were not built for her, "stop" is loaded - it echoes how quickly the industry moves on, how easily visibility is treated as a trend. She positions her pivot to acting not as escape from modeling but as expansion. The intent is brand management, yes, but it's also a small piece of cultural resistance: rejecting the either/or that keeps women marketable only when they're contained.
Quote Details
| Topic | Career |
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