"People are People still gets played to death on '80s stations. It was our first big break in America. It's not exactly my favorite song"
About this Quote
Nostalgia radio has a way of turning a band into a single, endlessly looping idea, and Martin Gore is politely bristling at that trap. "People Are People" isn't just a hit; it's a brand asset for '80s stations, a safe, instantly recognizable ticket to a certain kind of listener comfort. "Gets played to death" carries the weary humor of someone hearing their own past reduced to a jingle for a decade. The line is less complaint than diagnosis: repetition doesn-t honor the song, it embalms it.
The subtext is an artist's double-bind. Gore acknowledges the track as Depeche Mode's first real American breakthrough, a career hinge he can't disown without sounding ungrateful. So he splits the difference: gratitude for the doors it opened, candor about the artistic cost. "It's not exactly my favorite song" is a masterclass in English understatement, a soft phrase that signals a harder truth: the song's public meaning has drifted away from his private relationship to it.
Context matters. "People Are People" is one of Depeche Mode's most direct, almost slogan-like statements - built for mass sing-along, moral clarity, and radio compression. Gore's strongest work often lives in messier terrain: ambiguity, desire, guilt, devotion. The quote reads like a quiet insistence that the band's story is larger than the one track American radio decided to freeze-frame.
The subtext is an artist's double-bind. Gore acknowledges the track as Depeche Mode's first real American breakthrough, a career hinge he can't disown without sounding ungrateful. So he splits the difference: gratitude for the doors it opened, candor about the artistic cost. "It's not exactly my favorite song" is a masterclass in English understatement, a soft phrase that signals a harder truth: the song's public meaning has drifted away from his private relationship to it.
Context matters. "People Are People" is one of Depeche Mode's most direct, almost slogan-like statements - built for mass sing-along, moral clarity, and radio compression. Gore's strongest work often lives in messier terrain: ambiguity, desire, guilt, devotion. The quote reads like a quiet insistence that the band's story is larger than the one track American radio decided to freeze-frame.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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