"People can't draw now and don't feel it's necessary. Art students don't seem to want to draw"
About this Quote
Miller’s complaint lands like a dry bit of stage patter, but it’s really a diagnosis: the loss isn’t skill, it’s appetite. “People can’t draw now” is less a scold than a snapshot of a culture that’s outsourced seeing. Drawing is the most basic contract between eye, hand, and attention; if you can’t do it, you’re not just missing technique, you’re missing a way of thinking. Miller’s sting is in the follow-up: they “don’t feel it’s necessary.” That’s the real target - a modern confidence that conceptual fluency, software, and self-expression can replace observation.
As an entertainer with a polymath’s range (comedy, directing, medicine, criticism), Miller isn’t defending academic draughtsmanship for its own sake. He’s defending discipline as a form of respect: for the subject, for craft, for the viewer. The line about art students “don’t seem to want to draw” skewers a particular art-world posture where refusing fundamentals reads as sophistication. Not drawing becomes a badge of being “post-” something: post-skill, post-labor, post-accountability.
The subtext is also generational and technological. In a media landscape saturated with images, drawing looks quaint - slow, private, unmonetizable. Miller hears that slowness as the point. His critique isn’t nostalgia; it’s a warning that when the hand stops training the eye, art risks becoming pure talk: statements without evidence, ideas without embodiment.
As an entertainer with a polymath’s range (comedy, directing, medicine, criticism), Miller isn’t defending academic draughtsmanship for its own sake. He’s defending discipline as a form of respect: for the subject, for craft, for the viewer. The line about art students “don’t seem to want to draw” skewers a particular art-world posture where refusing fundamentals reads as sophistication. Not drawing becomes a badge of being “post-” something: post-skill, post-labor, post-accountability.
The subtext is also generational and technological. In a media landscape saturated with images, drawing looks quaint - slow, private, unmonetizable. Miller hears that slowness as the point. His critique isn’t nostalgia; it’s a warning that when the hand stops training the eye, art risks becoming pure talk: statements without evidence, ideas without embodiment.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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