"People have become shallower. They view spending, entertaining, seeking leisure and enjoying as the main objectives of their life"
About this Quote
Zhang Yimou’s complaint lands less like a scold from the sidelines and more like a director watching the audience drift out of frame. “Shallower” isn’t just moral disappointment; it’s an aesthetic judgment, a fear that the texture of lived experience is being flattened into shopping bags, snackable thrills, and the soft hypnosis of leisure. The sentence piles up verbs - “spending, entertaining, seeking leisure and enjoying” - in a deliberately monotonous rhythm. That list is the point: consumption as a loop, pleasure as a treadmill. By the time he gets to “main objectives,” it feels like a life reduced to a menu.
The subtext is generational and political without being explicit. Zhang’s career has spanned revolutionary austerity, the reform era’s breakneck commercialization, and a China that has become both a manufacturing engine and a consumer dream. For an artist whose films often wrestle with memory, discipline, and the cost of modernization, shallow living isn’t just vulgar; it’s historically amnesiac. A society that treats leisure as destiny becomes easier to manage, easier to sell to, and harder to move - emotionally or collectively.
There’s also self-implication: filmmakers are in the entertainment business. The line reads as a warning about how the marketplace pressures art to become distraction, and how distraction trains viewers to demand less. Coming from Zhang, it’s not nostalgia for hardship; it’s a defense of depth as a civic and artistic resource.
The subtext is generational and political without being explicit. Zhang’s career has spanned revolutionary austerity, the reform era’s breakneck commercialization, and a China that has become both a manufacturing engine and a consumer dream. For an artist whose films often wrestle with memory, discipline, and the cost of modernization, shallow living isn’t just vulgar; it’s historically amnesiac. A society that treats leisure as destiny becomes easier to manage, easier to sell to, and harder to move - emotionally or collectively.
There’s also self-implication: filmmakers are in the entertainment business. The line reads as a warning about how the marketplace pressures art to become distraction, and how distraction trains viewers to demand less. Coming from Zhang, it’s not nostalgia for hardship; it’s a defense of depth as a civic and artistic resource.
Quote Details
| Topic | Ethics & Morality |
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