"People have perhaps gotten to the point where, for the most part, movies are a just bit of escape"
About this Quote
The subtext is less anti-entertainment than anti-risk. LaBute’s work often trades in moral discomfort, power games, and the kind of interpersonal cruelty you can’t easily metabolize with popcorn. When he suggests audiences want escape, he’s also implying a marketplace that rewards anesthetic storytelling: IP you already recognize, emotional arcs engineered to reassure, spectacle that fills your senses so your brain can stop running background processes like dread, grief, or political fatigue.
The context is a media ecosystem that never turns off. When life is a feed of alerts, crises, and performative outrage, “escape” becomes a rational coping strategy and a profitable product. LaBute’s quiet provocation is that this isn’t neutral: if movies default to comfort, then discomfort - the very thing art can uniquely offer - gets treated as a bug, not a feature. And that’s how a culture ends up outsourcing its imagination to whatever feels safest for two hours.
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Citation Formats
APA Style (7th ed.)
LaBute, Neil. (2026, February 17). People have perhaps gotten to the point where, for the most part, movies are a just bit of escape. FixQuotes. https://fixquotes.com/quotes/people-have-perhaps-gotten-to-the-point-where-for-83183/
Chicago Style
LaBute, Neil. "People have perhaps gotten to the point where, for the most part, movies are a just bit of escape." FixQuotes. February 17, 2026. https://fixquotes.com/quotes/people-have-perhaps-gotten-to-the-point-where-for-83183/.
MLA Style (9th ed.)
"People have perhaps gotten to the point where, for the most part, movies are a just bit of escape." FixQuotes, 17 Feb. 2026, https://fixquotes.com/quotes/people-have-perhaps-gotten-to-the-point-where-for-83183/. Accessed 21 Feb. 2026.


