"People say to me that I can't be nervous because I've had such a wealth of experience, but I tell them that I have never done this particular part before"
About this Quote
Blethyn punctures the myth of the “seasoned pro” with a single, quietly radical distinction: experience isn’t armor, it’s just a back catalog. The line works because it refuses the comforting narrative we project onto performers (and, really, onto anyone competent): that repetition equals invulnerability. She’s not denying her résumé; she’s denying the lazy inference we make from it.
The key phrase is “this particular part.” It’s humble on the surface, but it’s also a precision tool. Acting culture loves to romanticize confidence as a permanent state, as if success should fossilize into ease. Blethyn re-frames nerves as an intelligent response to specificity. New part, new stakes, new arrangement of vulnerabilities. A role isn’t a generic task you can “handle” once you’ve handled enough tasks; it’s a fresh contract with the unknown: an accent you haven’t worn, a scene partner who changes your rhythms, a director’s taste that demands a different kind of exposure.
Subtextually, she’s pushing back against a subtle form of dismissal. “You can’t be nervous” sounds like reassurance, but it also polices emotion: it tells her what she’s allowed to feel based on other people’s expectations. Her reply gives permission to be competent and scared at the same time.
Context matters: actors are continually re-auditioning for legitimacy, even after awards and acclaim. Blethyn’s line makes that treadmill legible, and oddly empowering. Nerves aren’t evidence of fraud; they’re evidence the work is alive.
The key phrase is “this particular part.” It’s humble on the surface, but it’s also a precision tool. Acting culture loves to romanticize confidence as a permanent state, as if success should fossilize into ease. Blethyn re-frames nerves as an intelligent response to specificity. New part, new stakes, new arrangement of vulnerabilities. A role isn’t a generic task you can “handle” once you’ve handled enough tasks; it’s a fresh contract with the unknown: an accent you haven’t worn, a scene partner who changes your rhythms, a director’s taste that demands a different kind of exposure.
Subtextually, she’s pushing back against a subtle form of dismissal. “You can’t be nervous” sounds like reassurance, but it also polices emotion: it tells her what she’s allowed to feel based on other people’s expectations. Her reply gives permission to be competent and scared at the same time.
Context matters: actors are continually re-auditioning for legitimacy, even after awards and acclaim. Blethyn’s line makes that treadmill legible, and oddly empowering. Nerves aren’t evidence of fraud; they’re evidence the work is alive.
Quote Details
| Topic | Anxiety |
|---|---|
| Source | Help us find the source |
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