"People tell me they laughed hard enough to wake their spouses, that they've given away numerous copies to friends, and that it's the one Trek book they'll give to people they wouldn't expect to like others"
About this Quote
Ford is describing a kind of fandom success that has nothing to do with canon points or collector prestige: contagion. The laugh that wakes a spouse is a domestic, slightly embarrassing detail, the opposite of curated nerd cred. It frames the book as something that breaks containment, spilling out of the “I read tie-ins” box and into ordinary life where someone else has to roll over and ask what’s so funny.
The giveaway line matters even more. Giving a book away is a small act of evangelism, but it’s also a vote of confidence: this isn’t just for people who already know the secret handshake. Ford is quietly claiming that the work functions as a Trojan horse. It’s a “Trek book” that can be smuggled into the hands of skeptics without triggering their defenses about franchising, pulp, or geek taste. That subtext is defensive and proud at once: he knows the stigma attached to media tie-ins, and he’s delighted to have written something that disarms it.
Contextually, Ford’s reputation (especially around his clever, sideways entries in established universes) makes this sound like more than authorial bragging. He’s describing reader behavior as evidence that the book’s tone and intelligence travel across boundaries: from fan culture to social currency, from niche to giftable. The intent is marketing, sure, but the deeper play is legitimacy. If the book converts the “wrong” audience, then the category was always too small.
The giveaway line matters even more. Giving a book away is a small act of evangelism, but it’s also a vote of confidence: this isn’t just for people who already know the secret handshake. Ford is quietly claiming that the work functions as a Trojan horse. It’s a “Trek book” that can be smuggled into the hands of skeptics without triggering their defenses about franchising, pulp, or geek taste. That subtext is defensive and proud at once: he knows the stigma attached to media tie-ins, and he’s delighted to have written something that disarms it.
Contextually, Ford’s reputation (especially around his clever, sideways entries in established universes) makes this sound like more than authorial bragging. He’s describing reader behavior as evidence that the book’s tone and intelligence travel across boundaries: from fan culture to social currency, from niche to giftable. The intent is marketing, sure, but the deeper play is legitimacy. If the book converts the “wrong” audience, then the category was always too small.
Quote Details
| Topic | Funny |
|---|---|
| Source | Help us find the source |
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