"People who keep dogs are cowards who haven't got the guts to bite people themselves"
About this Quote
Strindberg doesn`t lob this line like a throwaway insult; he stages it like a provocation, designed to make polite society flinch. The joke is barbaric on purpose: he collapses the sentimental Victorian image of the dog as loyal companion into a proxy weapon, a rented set of teeth for people too socially constrained (or too morally compromised) to act on their own aggression. Its sting comes from the reversal. The dog isn`t humanized; the human is dehumanized, reduced to someone who needs an animal to do their hostility for them.
The subtext is classic Strindberg: suspicion of bourgeois comfort, contempt for performative virtue, and a bleak view of what passes for civility. Keeping a dog, in this framing, isn`t tenderness; it`s outsourcing. Affection becomes camouflage for dominance, control, and the quiet pleasures of intimidation. He`s not really litigating pet ownership so much as diagnosing a social type: the person who wants power without accountability, menace without consequence.
Context matters. Strindberg wrote in an era obsessed with respectability, property, and boundary-policing, when dogs increasingly functioned as markers of household order and private space. In his theatre, the home is rarely a refuge; it`s a battleground where hierarchy disguises itself as normal life. So the dog becomes a symbol of domesticated violence: the bite you can deny, the threat you can call "just being protective". The line works because it`s meaner than it needs to be, and Strindberg is betting that the excess reveals the truth he cares about: repression doesn`t eliminate aggression, it just gives it cleaner costumes.
The subtext is classic Strindberg: suspicion of bourgeois comfort, contempt for performative virtue, and a bleak view of what passes for civility. Keeping a dog, in this framing, isn`t tenderness; it`s outsourcing. Affection becomes camouflage for dominance, control, and the quiet pleasures of intimidation. He`s not really litigating pet ownership so much as diagnosing a social type: the person who wants power without accountability, menace without consequence.
Context matters. Strindberg wrote in an era obsessed with respectability, property, and boundary-policing, when dogs increasingly functioned as markers of household order and private space. In his theatre, the home is rarely a refuge; it`s a battleground where hierarchy disguises itself as normal life. So the dog becomes a symbol of domesticated violence: the bite you can deny, the threat you can call "just being protective". The line works because it`s meaner than it needs to be, and Strindberg is betting that the excess reveals the truth he cares about: repression doesn`t eliminate aggression, it just gives it cleaner costumes.
Quote Details
| Topic | Sarcastic |
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