"People writing about me have said that I've influenced a lot of people, and there are some artists who have credited me with influencing them"
About this Quote
A lesser ego would use “influence” as a victory lap; Harvey Pekar turns it into a shrug you can hear. The line is almost aggressively secondhand: “People writing about me have said...” and “some artists who have credited me...” He’s not claiming the crown, he’s reporting the rumor of a crown. That distance is the point. Pekar, the patron saint of unglamorous authenticity, frames acclaim as paperwork that happens in other rooms.
The intent is self-protection and self-definition at once. By refusing to say “I influenced,” he dodges the inflation that comes with canonization, especially in comics culture where pioneers get embalmed into “founding fathers.” Pekar’s work in American Splendor was built on the opposite impulse: daily life, small humiliations, petty arguments, the unmarketable texture of being alive. So even recognition has to arrive through a bureaucratic buffer: critics, profiles, other people’s testimonials.
The subtext also reads like a quiet critique of the prestige economy. Influence is presented not as a measurable act but as a narrative others construct around you. Pekar acknowledges the chain of attribution while sidestepping its demand for gratitude or grandeur. It’s a sentence that keeps the spotlight at arm’s length, insisting that the work mattered without turning the artist into a brand.
Context matters: Pekar spent years as a file clerk, suspicious of polish, allergic to myth. This is that same sensibility translated into reputation management - a deadpan refusal to perform genius, even when everyone else wants him to.
The intent is self-protection and self-definition at once. By refusing to say “I influenced,” he dodges the inflation that comes with canonization, especially in comics culture where pioneers get embalmed into “founding fathers.” Pekar’s work in American Splendor was built on the opposite impulse: daily life, small humiliations, petty arguments, the unmarketable texture of being alive. So even recognition has to arrive through a bureaucratic buffer: critics, profiles, other people’s testimonials.
The subtext also reads like a quiet critique of the prestige economy. Influence is presented not as a measurable act but as a narrative others construct around you. Pekar acknowledges the chain of attribution while sidestepping its demand for gratitude or grandeur. It’s a sentence that keeps the spotlight at arm’s length, insisting that the work mattered without turning the artist into a brand.
Context matters: Pekar spent years as a file clerk, suspicious of polish, allergic to myth. This is that same sensibility translated into reputation management - a deadpan refusal to perform genius, even when everyone else wants him to.
Quote Details
| Topic | Art |
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