"Performing is very much like cooking: putting it all together, raising the temperature"
About this Quote
David Tudor’s metaphor lands because it refuses the usual romantic story about performance as divine inspiration. Cooking is craft, timing, and risk; you can have impeccable ingredients and still burn the whole thing by misreading the heat. When Tudor says “putting it all together,” he’s pointing to the performer’s real labor: assembling variables in real time - body, instrument, room acoustics, score, audience attention - into something coherent enough to eat.
“Raising the temperature” is where the subtext gets interesting. Heat is pressure: the moment when preparation stops being private and becomes public, irreversible. Onstage, like at a stove, you cross a threshold where things transform. Notes become sound; intention becomes consequence. You can’t unplay a phrase any more than you can uncook an egg. That’s a particularly Tudor-ish way to describe performance: not as faithful reproduction but as controlled transformation.
The context matters. Tudor wasn’t just any musician; he was a key interpreter of the postwar avant-garde, closely tied to John Cage and the rise of indeterminacy and live electronics. In that world, performing isn’t executing a fixed product. It’s managing a system with volatile outcomes. Cooking fits: you follow a recipe until the recipe stops being enough, then you rely on trained senses - listening like tasting - to keep the thing alive.
The line quietly argues for humility. The performer isn’t the chef-genius dominating the kitchen; he’s the one who knows that the meal only happens when the heat is on, and anything can happen once it is.
“Raising the temperature” is where the subtext gets interesting. Heat is pressure: the moment when preparation stops being private and becomes public, irreversible. Onstage, like at a stove, you cross a threshold where things transform. Notes become sound; intention becomes consequence. You can’t unplay a phrase any more than you can uncook an egg. That’s a particularly Tudor-ish way to describe performance: not as faithful reproduction but as controlled transformation.
The context matters. Tudor wasn’t just any musician; he was a key interpreter of the postwar avant-garde, closely tied to John Cage and the rise of indeterminacy and live electronics. In that world, performing isn’t executing a fixed product. It’s managing a system with volatile outcomes. Cooking fits: you follow a recipe until the recipe stops being enough, then you rely on trained senses - listening like tasting - to keep the thing alive.
The line quietly argues for humility. The performer isn’t the chef-genius dominating the kitchen; he’s the one who knows that the meal only happens when the heat is on, and anything can happen once it is.
Quote Details
| Topic | Music |
|---|
More Quotes by David
Add to List




