"Perhaps people like us cannot love. Ordinary people can - that is their secret"
About this Quote
Hesse turns the knife with that coy, corrosive opener: "Perhaps". It pretends to be tentative while landing like a verdict. The line isn’t really about romance; it’s about a certain breed of self-conscious striver who confuses intensity for depth and analysis for intimacy. "People like us" is doing heavy work: it’s an invitation into an exclusive club of the restless, the hyper-reflective, the spiritually ambitious. The subtext is both confession and alibi. If we can’t love, it’s not because we’re emotionally stunted; it’s because we’re too complicated, too awake.
Then Hesse pivots to "Ordinary people", a phrase that sounds dismissive but carries envy. Their "secret" isn’t superior intellect or rarified sensitivity. It’s a kind of unglamorous consent to the everyday: to needing others without turning that need into a philosophical problem. Hesse is poking at the modernist fixation on the self as a project. When identity becomes an ongoing experiment, love stops being a surrender and starts being a test you can fail by overthinking.
In the context of Hesse’s work and era - post-Nietzsche, post-Freud, Europe watching old certainties collapse - the quote reads like a warning about spiritual exceptionalism. It exposes the trap of romanticizing alienation: the pose of being too refined for common attachments. The irony is that the "ordinary" are framed as the ones with privileged access to the extraordinary: simple, steady love as a craft, not a crisis.
Then Hesse pivots to "Ordinary people", a phrase that sounds dismissive but carries envy. Their "secret" isn’t superior intellect or rarified sensitivity. It’s a kind of unglamorous consent to the everyday: to needing others without turning that need into a philosophical problem. Hesse is poking at the modernist fixation on the self as a project. When identity becomes an ongoing experiment, love stops being a surrender and starts being a test you can fail by overthinking.
In the context of Hesse’s work and era - post-Nietzsche, post-Freud, Europe watching old certainties collapse - the quote reads like a warning about spiritual exceptionalism. It exposes the trap of romanticizing alienation: the pose of being too refined for common attachments. The irony is that the "ordinary" are framed as the ones with privileged access to the extraordinary: simple, steady love as a craft, not a crisis.
Quote Details
| Topic | Love |
|---|---|
| Source | Steppenwolf (Der Steppenwolf), Hermann Hesse — novel (1927). The line is commonly attributed to English translations of this work. |
More Quotes by Hermann
Add to List









