"Perhaps travel cannot prevent bigotry, but by demonstrating that all peoples cry, laugh, eat, worry, and die, it can introduce the idea that if we try and understand each other, we may even become friends"
About this Quote
Angelou’s sentence moves like a passport stamp: hopeful, but not naive about what borders do to the mind. She opens with a concession that feels almost deliberately unsentimental - “Perhaps travel cannot prevent bigotry” - stripping away the glossy idea that proximity automatically produces enlightenment. That first clause matters because it disarms the reader’s desire for an easy cure. Prejudice isn’t just ignorance; it’s also habit, fear, inheritance, power. A plane ticket can’t dissolve all that.
Then she pivots to the quiet force of the ordinary. “Cry, laugh, eat, worry, and die” is a roll call of human functions that refuses romance. It’s bodily, domestic, finite. Angelou isn’t saying cultures are interchangeable; she’s saying the raw equipment of being alive is shared. The list also sneaks in an argument about dignity: if the other person grieves and worries like you, it becomes harder to treat them as an abstraction or a threat.
The subtext is about scale. Travel doesn’t erase difference; it punctures myth. It replaces the monstrous caricature with a voice, a meal, a moment of embarrassment, a story that doesn’t fit the stereotype you carried in your suitcase. Her final turn - “it can introduce the idea” - is intentionally modest, as if friendship begins not with grand moral awakening but with a small cognitive opening.
In the context of Angelou’s life and work - shaped by racism, displacement, and hard-won empathy - the line reads less like a tourism slogan and more like a strategy for survival: broaden the circle of the human before the world convinces you it can’t be done.
Then she pivots to the quiet force of the ordinary. “Cry, laugh, eat, worry, and die” is a roll call of human functions that refuses romance. It’s bodily, domestic, finite. Angelou isn’t saying cultures are interchangeable; she’s saying the raw equipment of being alive is shared. The list also sneaks in an argument about dignity: if the other person grieves and worries like you, it becomes harder to treat them as an abstraction or a threat.
The subtext is about scale. Travel doesn’t erase difference; it punctures myth. It replaces the monstrous caricature with a voice, a meal, a moment of embarrassment, a story that doesn’t fit the stereotype you carried in your suitcase. Her final turn - “it can introduce the idea” - is intentionally modest, as if friendship begins not with grand moral awakening but with a small cognitive opening.
In the context of Angelou’s life and work - shaped by racism, displacement, and hard-won empathy - the line reads less like a tourism slogan and more like a strategy for survival: broaden the circle of the human before the world convinces you it can’t be done.
Quote Details
| Topic | Travel |
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