"Personally, I don't think the film and television industries are run as well as they used to be. Oh sure, we've got great digital effects now but... where are the visionaries?"
About this Quote
Nostalgia can be a dodge, but Bill Mumy’s version lands because it’s not pining for old matte paintings; it’s accusing an industry of mistaking polish for purpose. He gives digital effects their due, then yanks the rug: the pause after “but...” is the whole argument. Technical mastery has become the alibi for creative timidity, and the question “where are the visionaries?” isn’t really a request for names. It’s a jab at the system that no longer rewards the people who’d risk being wrong.
Coming from an actor who grew up inside peak broadcast-era TV and later watched franchises swallow the culture, Mumy’s complaint is less “things were better” than “the incentives got worse.” The modern machine is optimized for predictability: IP, algorithms, test screenings, soft reboots, endless “content.” Digital effects fit that model perfectly because they scale. Vision does not. Vision is expensive, personal, and hard to quantify in a quarterly report.
The subtext is also about authorship. In an era where studios market “worlds” more than storytellers, the visionary becomes a liability: too singular, too loud, too hard to integrate into a brand bible. Mumy’s line mourns a time when limitations forced invention, when a lack of tech demanded stronger choices in writing, performance, and direction. His frustration isn’t anti-progress; it’s anti-substitution. Effects can expand imagination, but they can’t replace it.
Coming from an actor who grew up inside peak broadcast-era TV and later watched franchises swallow the culture, Mumy’s complaint is less “things were better” than “the incentives got worse.” The modern machine is optimized for predictability: IP, algorithms, test screenings, soft reboots, endless “content.” Digital effects fit that model perfectly because they scale. Vision does not. Vision is expensive, personal, and hard to quantify in a quarterly report.
The subtext is also about authorship. In an era where studios market “worlds” more than storytellers, the visionary becomes a liability: too singular, too loud, too hard to integrate into a brand bible. Mumy’s line mourns a time when limitations forced invention, when a lack of tech demanded stronger choices in writing, performance, and direction. His frustration isn’t anti-progress; it’s anti-substitution. Effects can expand imagination, but they can’t replace it.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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