"Pessimism, when you get used to it, is just as agreeable as optimism"
About this Quote
Bennett slips a small blade into the self-help balloon: pessimism isn’t only a mood, it’s a habit with creature comforts. The line works because it refuses to treat outlook as a moral badge. “Agreeable” is the tell - not “true,” not “wise,” just pleasantly livable. He’s mocking the late-Victorian and early modern industry of cheerfulness before it even became a branded product, puncturing the assumption that optimism is inherently healthier or more sophisticated.
The subtext is psychological and social. If optimism can be trained - the era’s favorite promise - then so can its opposite. Bennett frames both as forms of acclimatization: you sink into an emotional climate and your nervous system stops complaining. That’s a quietly unsettling idea, because it suggests pessimism is not a tragic insight but a domestic arrangement, complete with familiar furniture: lowered expectations, pre-emptive disappointment, the odd satisfaction of being proved right. It can even feel like intelligence, a way to look tough-minded in a world that sells hope.
Context matters. Bennett wrote in a Britain negotiating modernity’s whiplash - industrial change, class anxiety, and, later, the shadow of world war. His fiction often watches ordinary people managing private disillusionments amid public progress. This sentence is less a manifesto than a diagnosis: emotional stances are less about philosophy than about comfort, and comfort doesn’t always align with virtue. The sting is that “getting used to it” sounds like resignation - but it also sounds like survival.
The subtext is psychological and social. If optimism can be trained - the era’s favorite promise - then so can its opposite. Bennett frames both as forms of acclimatization: you sink into an emotional climate and your nervous system stops complaining. That’s a quietly unsettling idea, because it suggests pessimism is not a tragic insight but a domestic arrangement, complete with familiar furniture: lowered expectations, pre-emptive disappointment, the odd satisfaction of being proved right. It can even feel like intelligence, a way to look tough-minded in a world that sells hope.
Context matters. Bennett wrote in a Britain negotiating modernity’s whiplash - industrial change, class anxiety, and, later, the shadow of world war. His fiction often watches ordinary people managing private disillusionments amid public progress. This sentence is less a manifesto than a diagnosis: emotional stances are less about philosophy than about comfort, and comfort doesn’t always align with virtue. The sting is that “getting used to it” sounds like resignation - but it also sounds like survival.
Quote Details
| Topic | Optimism |
|---|---|
| Source | Help us find the source |
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