"Picasso once remarked I do not care who it is that has or does influence me as long as it is not myself"
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Stein’s jab lands because it sounds like humility and registers, on a second pass, as a dare. “I do not care who it is that has or does influence me” is the breezy cosmopolitan posture of the modernist salon: influence is inevitable, even desirable, the whole point of putting geniuses in the same room and letting styles cross-pollinate. Then she tightens the knife: “as long as it is not myself.” The real target isn’t influence; it’s self-influence, the artist trapped in the lazy feedback loop of their own habits, repeating yesterday’s “Stein-ness” until it calcifies into brand.
In Stein’s world, where reputation was made in conversation as much as on the page, this is also a social ethic. Borrow from anyone, but don’t become your own closed system. That’s both aesthetic and strategic: modernism sold itself as rupture, as newness produced by friction with the outside. Self-imitation is the unforgivable sin because it’s masquerading as originality while quietly avoiding risk.
The Picasso attribution matters, too. Stein wraps her claim in his aura: the painter who could reinvent form becomes the alibi for reinvention as a moral stance. Yet Stein’s line also reads as self-aware provocation. She, of all writers, developed a highly recognizable method. The subtext is that true originality isn’t a pristine inner voice; it’s a disciplined refusal to let the inner voice become a rut.
In Stein’s world, where reputation was made in conversation as much as on the page, this is also a social ethic. Borrow from anyone, but don’t become your own closed system. That’s both aesthetic and strategic: modernism sold itself as rupture, as newness produced by friction with the outside. Self-imitation is the unforgivable sin because it’s masquerading as originality while quietly avoiding risk.
The Picasso attribution matters, too. Stein wraps her claim in his aura: the painter who could reinvent form becomes the alibi for reinvention as a moral stance. Yet Stein’s line also reads as self-aware provocation. She, of all writers, developed a highly recognizable method. The subtext is that true originality isn’t a pristine inner voice; it’s a disciplined refusal to let the inner voice become a rut.
Quote Details
| Topic | Art |
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