"Playwrights are like men who have been dining for a month in an Indian restaurant. After eating curry night after night, they deny the existence of asparagus"
About this Quote
Ustinov’s jab lands because it’s less about vegetables than about aesthetic malnutrition. He pictures playwrights as people trapped in a single, overpowering flavor profile - curry night after night - until their palates forget alternatives even exist. The asparagus isn’t “better” than curry; it’s simply different, a stand-in for everything subtle, plain, seasonal, or unfashionably restrained that gets crowded out when an art form binge-eats its own trends.
As an actor and raconteur, Ustinov had front-row seats to theatrical cycles: the periods when everyone writes the same kind of “important” play, when a certain mode of grit, irony, anger, or political urgency becomes the house spice. His metaphor needles a specific professional blindness. The playwright isn’t just tired of asparagus; he “denies the existence” of it. That’s the tell. Repetition doesn’t merely dull taste; it hardens into ideology. What begins as preference becomes dogma: if it isn’t loudly flavored, it isn’t real.
There’s also a sly critique of insularity. Dining for a month in one restaurant is self-chosen confinement - the arts as a closed circuit of peers applauding the same sensations. Ustinov’s humor keeps it from sounding like a scold, but the warning is pointed: when theatre mistakes intensity for depth, it starts policing reality to match its menu.
The quote’s cultural bite endures because it diagnoses how scenes and subcultures work: not by censoring novelty, but by seasoning it so aggressively that other kinds of nourishment become unthinkable.
As an actor and raconteur, Ustinov had front-row seats to theatrical cycles: the periods when everyone writes the same kind of “important” play, when a certain mode of grit, irony, anger, or political urgency becomes the house spice. His metaphor needles a specific professional blindness. The playwright isn’t just tired of asparagus; he “denies the existence” of it. That’s the tell. Repetition doesn’t merely dull taste; it hardens into ideology. What begins as preference becomes dogma: if it isn’t loudly flavored, it isn’t real.
There’s also a sly critique of insularity. Dining for a month in one restaurant is self-chosen confinement - the arts as a closed circuit of peers applauding the same sensations. Ustinov’s humor keeps it from sounding like a scold, but the warning is pointed: when theatre mistakes intensity for depth, it starts policing reality to match its menu.
The quote’s cultural bite endures because it diagnoses how scenes and subcultures work: not by censoring novelty, but by seasoning it so aggressively that other kinds of nourishment become unthinkable.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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