"Please write music like Wagner, only louder"
About this Quote
Goldwyn’s line is a perfect mogul-era koan: a man drunk on prestige, terrified of silence, demanding transcendence at box-office volume. “Write music like Wagner” isn’t really about leitmotifs or harmonic daring; it’s shorthand for cultural legitimacy. Wagner signifies size, seriousness, and a certain imperial grandeur - the kind of imported high-art aura Hollywood craved to launder its new-money entertainment into something that could sit upright in a tuxedo.
Then comes the knife-twist: “only louder.” The joke lands because it reveals the producer’s true religion. Not subtlety, not even beauty - impact. Loudness is a proxy for emotion you can’t miss, a guarantee that the audience will feel something whether they want to or not. It’s also the industrial logic of early studio filmmaking, where music wasn’t just accompaniment but adhesive: it patched over narrative seams, cued reactions, and kept the room from drifting. Goldwyn’s “please” adds a veneer of civility, but the request is basically an order: give me the reputation of Wagner and the blunt-force effectiveness of a brass section in a small theater.
The subtext is Hollywood’s eternal tension between art and amplification. Goldwyn isn’t anti-art; he’s pro-spectacle. He wants the kind of greatness that reads from the back row. In one sentence, he compresses a century of entertainment economics: if it can’t be felt instantly, turn it up until it can.
Then comes the knife-twist: “only louder.” The joke lands because it reveals the producer’s true religion. Not subtlety, not even beauty - impact. Loudness is a proxy for emotion you can’t miss, a guarantee that the audience will feel something whether they want to or not. It’s also the industrial logic of early studio filmmaking, where music wasn’t just accompaniment but adhesive: it patched over narrative seams, cued reactions, and kept the room from drifting. Goldwyn’s “please” adds a veneer of civility, but the request is basically an order: give me the reputation of Wagner and the blunt-force effectiveness of a brass section in a small theater.
The subtext is Hollywood’s eternal tension between art and amplification. Goldwyn isn’t anti-art; he’s pro-spectacle. He wants the kind of greatness that reads from the back row. In one sentence, he compresses a century of entertainment economics: if it can’t be felt instantly, turn it up until it can.
Quote Details
| Topic | Witty One-Liners |
|---|
More Quotes by Samuel
Add to List


