"Plus, doing a zombie movie is quite liberating. It's fun not to take myself seriously all the time"
About this Quote
Polley frames the zombie movie not as a guilty pleasure but as a pressure valve. Coming from an actor-director whose reputation leans serious, politically alert, and emotionally precise, she treats genre as a vacation from the burden of significance. The key word is "liberating": not artistically in the grand sense, but personally, a release from the cultural expectation that a thoughtful performer must always be making Important Work. Zombies become a sanctioned playground where craft still matters, yet the stakes are safely ridiculous.
The subtext is a quiet critique of prestige culture, especially for women in film. "Not to take myself seriously all the time" reads like a rebuttal to the double bind: be rigorous and you're labeled intense; be playful and you're dismissed. By naming the choice as "fun", Polley claims a kind of agency that the industry often frames as indulgence. It's also a savvy PR move: it signals self-awareness and humility without self-deprecation, inviting audiences to join her in the joke rather than judging her for stepping outside the tasteful lane.
Contextually, zombie films have long been social allegories in cheap clothing, but Polley doesn’t lean on that. She’s pointing to something more basic: performance as permission. In a culture that rewards actors for suffering on screen, the undead offer a rare gift - a role where the mess is the point, and the liberation is getting to be messy on purpose.
The subtext is a quiet critique of prestige culture, especially for women in film. "Not to take myself seriously all the time" reads like a rebuttal to the double bind: be rigorous and you're labeled intense; be playful and you're dismissed. By naming the choice as "fun", Polley claims a kind of agency that the industry often frames as indulgence. It's also a savvy PR move: it signals self-awareness and humility without self-deprecation, inviting audiences to join her in the joke rather than judging her for stepping outside the tasteful lane.
Contextually, zombie films have long been social allegories in cheap clothing, but Polley doesn’t lean on that. She’s pointing to something more basic: performance as permission. In a culture that rewards actors for suffering on screen, the undead offer a rare gift - a role where the mess is the point, and the liberation is getting to be messy on purpose.
Quote Details
| Topic | Movie |
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