"Poetical appreciation is only newly bursting on me"
About this Quote
There is something almost startled in Rosenberg’s phrasing: “only newly bursting on me” sounds less like a cultivated taste than an ambush. Poetical appreciation arrives as pressure, not polish - an internal detonation that suggests youth, deprivation, and belated access. The line quietly rejects the genteel fantasy that poetry is a lifelong inheritance passed down with good schooling and quiet rooms. For Rosenberg, it’s an event.
The verb “bursting” matters. It’s bodily, sudden, even violent, hinting at how aesthetic awakening can feel when your life has offered little space for it. Rosenberg, a working-class London Jew who trained as an artist before becoming known for his war poems, didn’t come up through the standard literary pipeline. That outsider status lives inside the sentence: appreciation isn’t assumed; it’s discovered late, and it arrives with the force of something that had been held back.
Subtextually, the quote is also a modest act of self-positioning. Rosenberg is admitting he’s new to the club while simultaneously claiming the intensity of his response as its own credential. It’s a way of saying: I may not have been trained to speak this language early, but when it hit, it hit hard.
Read against the looming facts of his short life - the First World War, the trench reality that would shape his most searing work - the line gains an eerie foreshadowing. “Bursting” starts to rhyme with shells, with bodies, with abrupt endings. Even before the war enters the page, Rosenberg’s sensibility is already tuned to the collision between beauty and violence, where art doesn’t soothe so much as break through.
The verb “bursting” matters. It’s bodily, sudden, even violent, hinting at how aesthetic awakening can feel when your life has offered little space for it. Rosenberg, a working-class London Jew who trained as an artist before becoming known for his war poems, didn’t come up through the standard literary pipeline. That outsider status lives inside the sentence: appreciation isn’t assumed; it’s discovered late, and it arrives with the force of something that had been held back.
Subtextually, the quote is also a modest act of self-positioning. Rosenberg is admitting he’s new to the club while simultaneously claiming the intensity of his response as its own credential. It’s a way of saying: I may not have been trained to speak this language early, but when it hit, it hit hard.
Read against the looming facts of his short life - the First World War, the trench reality that would shape his most searing work - the line gains an eerie foreshadowing. “Bursting” starts to rhyme with shells, with bodies, with abrupt endings. Even before the war enters the page, Rosenberg’s sensibility is already tuned to the collision between beauty and violence, where art doesn’t soothe so much as break through.
Quote Details
| Topic | Poetry |
|---|---|
| Source | Help us find the source |
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