"Poetry seems to sink into us the way prose doesn't. I can still quote verses I learned when I was very young, but I have trouble remembering one line of a novel I just finished reading"
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Poetry sticks because it cheats in the best way: it turns language into a physical object you can carry. Jack Prelutsky, a poet whose work has lived in classrooms, bedtime routines, and the early, formation-stage of a reader's brain, is naming a cognitive and cultural truth that feels almost embarrassing in its accuracy. Prose asks you to keep moving; poetry asks you to stop, listen, and rehearse. Rhythm, rhyme, line breaks, and repetition are not decorative flourishes here - they're storage technology.
The intent is partly a defense of poetry in a culture that treats it as an elective taste. Prelutsky reframes poetry as durable, not rarefied: it gets under the skin, becomes quote-ready, and keeps returning uninvited years later. The subtext is a gentle indictment of contemporary reading habits, too. Novels can be consumed at speed, skimmed for plot, absorbed as a blur of scenes. Poems resist that kind of drive-through attention. They demand rereading, and rereading is how memory gets made.
There's also an autobiographical wink in the comparison. Prelutsky's audience has often been children, and childhood is when language bonds to sensation: the sound of a teacher's voice, the sing-song of a line, the pleasure of getting it right. He isn't just talking about literature; he's talking about imprinting. Prose can change your mind. Poetry, at its best, moves in and redecorates.
The intent is partly a defense of poetry in a culture that treats it as an elective taste. Prelutsky reframes poetry as durable, not rarefied: it gets under the skin, becomes quote-ready, and keeps returning uninvited years later. The subtext is a gentle indictment of contemporary reading habits, too. Novels can be consumed at speed, skimmed for plot, absorbed as a blur of scenes. Poems resist that kind of drive-through attention. They demand rereading, and rereading is how memory gets made.
There's also an autobiographical wink in the comparison. Prelutsky's audience has often been children, and childhood is when language bonds to sensation: the sound of a teacher's voice, the sing-song of a line, the pleasure of getting it right. He isn't just talking about literature; he's talking about imprinting. Prose can change your mind. Poetry, at its best, moves in and redecorates.
Quote Details
| Topic | Poetry |
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