"Pointless... like giving caviar to an elephant"
About this Quote
Faulkner’s jab lands because it’s both aristocratic and cruel: “caviar” isn’t just food, it’s a symbol of cultivated taste, the kind you learn, perform, and police. Pair it with “an elephant” - an animal associated with enormity, spectacle, and blunt appetite - and you get a miniature theory of misread audiences. The point isn’t simply that the elephant won’t like it. It’s that the whole gesture is a category error, a vanity project disguised as generosity.
Faulkner, a novelist obsessed with class rituals and the violence beneath them, is needling the donor as much as the recipient. The person offering caviar wants credit for refinement; the elephant becomes the alibi for superiority. There’s also a Southern edge to it: an old-world delicacy shoved into a setting where it reads as absurd, a reminder that status symbols don’t travel cleanly across contexts. “Pointless” is the snapped thread at the start - no lyrical wind-up, just dismissal - then the simile does the social work, compressing snobbery, futility, and miscommunication into one image.
In a literary context, it doubles as self-defense. Faulkner spent his career being called difficult, baroque, excessive. The line can be read as a warning about art and readership: the wrong match makes even the finest thing look stupid. The sting is that it doesn’t absolve the artist; it implies a responsibility to know who you’re feeding, and why.
Faulkner, a novelist obsessed with class rituals and the violence beneath them, is needling the donor as much as the recipient. The person offering caviar wants credit for refinement; the elephant becomes the alibi for superiority. There’s also a Southern edge to it: an old-world delicacy shoved into a setting where it reads as absurd, a reminder that status symbols don’t travel cleanly across contexts. “Pointless” is the snapped thread at the start - no lyrical wind-up, just dismissal - then the simile does the social work, compressing snobbery, futility, and miscommunication into one image.
In a literary context, it doubles as self-defense. Faulkner spent his career being called difficult, baroque, excessive. The line can be read as a warning about art and readership: the wrong match makes even the finest thing look stupid. The sting is that it doesn’t absolve the artist; it implies a responsibility to know who you’re feeding, and why.
Quote Details
| Topic | Witty One-Liners |
|---|
More Quotes by William
Add to List










