"Pork was in 1971, and I stopped hanging out at The Factory by like 1973"
About this Quote
Time stamps are doing the heavy lifting here: 1971, 1973. Fierstein tosses them off with a shrugging "like", but the casual chronology is a power move. It’s a way of pinning himself to a mythic New York moment (Warhol’s Factory, the downtown demi-monde, the whole glamorous churn) while also stepping slightly to the side of it. The name-drop isn’t just access; it’s boundary-setting.
“Pork” is the tell. Not bacon-as-joke, but Andy Warhol’s 1971 film (and, by extension, the anything-goes sexual candor and exploitative gaze that defined parts of that scene). By referencing the title without explanation, Fierstein assumes a knowing audience, or at least dares you to catch up. That’s the actor’s version of insider language: a wink that doubles as a filter.
The subtext is about survival and self-authorship. The Factory was famous for turning people into “characters” in someone else’s art and then discarding them. “I stopped hanging out” frames exit as choice, not exile, and “by like 1973” gives it plausible deniability: not a grand rupture, just a quiet recalibration. For a gay performer and playwright who would later build a career on controlling his own voice, this matters. He’s implying: I was there for the heat, but I didn’t let the furnace define me.
Contextually, it’s also a generational marker. Early-70s bohemia reads now as both liberating and predatory; Fierstein’s line carries that double exposure in eight breezy words.
“Pork” is the tell. Not bacon-as-joke, but Andy Warhol’s 1971 film (and, by extension, the anything-goes sexual candor and exploitative gaze that defined parts of that scene). By referencing the title without explanation, Fierstein assumes a knowing audience, or at least dares you to catch up. That’s the actor’s version of insider language: a wink that doubles as a filter.
The subtext is about survival and self-authorship. The Factory was famous for turning people into “characters” in someone else’s art and then discarding them. “I stopped hanging out” frames exit as choice, not exile, and “by like 1973” gives it plausible deniability: not a grand rupture, just a quiet recalibration. For a gay performer and playwright who would later build a career on controlling his own voice, this matters. He’s implying: I was there for the heat, but I didn’t let the furnace define me.
Contextually, it’s also a generational marker. Early-70s bohemia reads now as both liberating and predatory; Fierstein’s line carries that double exposure in eight breezy words.
Quote Details
| Topic | Nostalgia |
|---|---|
| Source | Help us find the source |
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