"Prince decided to move from Minneapolis to Toronto. Jimmy Jam told me that they were living there now"
About this Quote
It lands like gossip because that is the job: entertainment as overheard conversation, culture delivered with a wink. Rick Dees isn’t offering a thesis about Prince so much as performing the machinery of pop mythology, where big moves happen offstage and arrive to the public as a tidy anecdote. The sentence is almost aggressively plain, which is the point. When you’re dealing with a figure like Prince, understatement becomes its own kind of amplification: the reader supplies the drama.
The name-dropping is doing heavy lifting. “Prince” is the headline, but “Jimmy Jam told me” is the credential, a backstage stamp that says: this isn’t rumor, it’s routed through the right people. Jimmy Jam (half of Jam & Lewis, architect of the Minneapolis sound) also serves as a bridge between scenes and cities, quietly reminding you how small the upper tiers of pop actually are. One phone call and geography changes.
Then there’s the strange cultural voltage of the move itself. Minneapolis is origin-story territory, a place Prince turned into a brand of outsider genius. Toronto signals reinvention, distance, maybe strategy: a new tax situation, a new creative bubble, a new way to be uncatchable. Dees frames it with “decided,” implying agency and spontaneity, even though artists at that level rarely “decide” anything without an entourage of pressures.
The clincher is “they were living there now.” Not “Prince,” but “they”: the royal plural of a superstar plus court, a reminder that celebrity isn’t a person, it’s a portable ecosystem.
The name-dropping is doing heavy lifting. “Prince” is the headline, but “Jimmy Jam told me” is the credential, a backstage stamp that says: this isn’t rumor, it’s routed through the right people. Jimmy Jam (half of Jam & Lewis, architect of the Minneapolis sound) also serves as a bridge between scenes and cities, quietly reminding you how small the upper tiers of pop actually are. One phone call and geography changes.
Then there’s the strange cultural voltage of the move itself. Minneapolis is origin-story territory, a place Prince turned into a brand of outsider genius. Toronto signals reinvention, distance, maybe strategy: a new tax situation, a new creative bubble, a new way to be uncatchable. Dees frames it with “decided,” implying agency and spontaneity, even though artists at that level rarely “decide” anything without an entourage of pressures.
The clincher is “they were living there now.” Not “Prince,” but “they”: the royal plural of a superstar plus court, a reminder that celebrity isn’t a person, it’s a portable ecosystem.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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