"Publishing your work is important. Even if you are giving a piece to some smaller publication for free, you will learn something about your writing. The editor will say something, friends will mention it. You will learn"
About this Quote
Cahill’s advice reads like locker-room pragmatism translated into the creative economy: stop waiting for perfect conditions and get your work into the world. The insistence on “even if” is the tell. He’s pre-empting the most common excuse - that a small outlet or unpaid byline isn’t “worth it” - and reframing publication as training, not validation. For an athlete, the point isn’t the glamour of game day; it’s the repetition that sharpens instincts. Publishing functions as reps.
The subtext is a quiet critique of writerly isolation and purity politics. “Some smaller publication” sounds almost dismissive, but that’s the strategy: he strips away prestige so the real value can emerge. The payoff isn’t the platform; it’s the feedback loop. “The editor will say something, friends will mention it” maps a miniature ecosystem of accountability. An editor becomes a coach with notes you didn’t know you needed. Friends become an informal audience, the first proof that your choices on the page register outside your head.
Context matters: coming from a public figure whose career depends on performance under scrutiny, Cahill normalizes exposure. You don’t improve by protecting your draft; you improve by letting it take contact. The clipped final repetition - “You will learn” - works like a chant, less literary flourish than discipline. It’s not romantic. It’s a reminder that growth is transactional: you trade a little ego (and sometimes money) for information.
The subtext is a quiet critique of writerly isolation and purity politics. “Some smaller publication” sounds almost dismissive, but that’s the strategy: he strips away prestige so the real value can emerge. The payoff isn’t the platform; it’s the feedback loop. “The editor will say something, friends will mention it” maps a miniature ecosystem of accountability. An editor becomes a coach with notes you didn’t know you needed. Friends become an informal audience, the first proof that your choices on the page register outside your head.
Context matters: coming from a public figure whose career depends on performance under scrutiny, Cahill normalizes exposure. You don’t improve by protecting your draft; you improve by letting it take contact. The clipped final repetition - “You will learn” - works like a chant, less literary flourish than discipline. It’s not romantic. It’s a reminder that growth is transactional: you trade a little ego (and sometimes money) for information.
Quote Details
| Topic | Writing |
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