"Reading makes immigrants of us all. It takes us away from home, but more important, it finds homes for us everywhere"
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Reading, for Rhys, is not a polite form of self-improvement; its a controlled estrangement. Calling readers "immigrants" reframes the act as a crossing with consequences: you leave a familiar country of assumptions and enter a place where your accent shows. The line carries the faint bruise of displacement that runs through Rhys work, especially her portraits of women and outsiders moving through London, Paris, and the colonial afterlife of the Caribbean. She knew what it meant to be out of place in a room and to have place used against you.
The sentence pivots on a quiet correction: "It takes us away from home, but more important..". The first clause could be sold as escapism, the cozy idea that books transport. Rhys undercuts that comfort. The deeper promise of reading isnt flight; its adaptation. "Finds homes for us everywhere" suggests a portable belonging, not tied to bloodlines or property or the approval of a gatekeeping majority. Its a radical, almost suspicious kind of citizenship: you become fluent in other lives.
The subtext is that "home" is not sacred, and maybe never was. Reading makes you less loyal to the myths that keep people obedient - nation, class, even family scripts - because it keeps offering alternative rooms to stand in. The brilliance is the double edge: immigration is loss, but also possibility. Rhys turns literature into a passport that doesnt erase your origin; it teaches you how to live with the fact that origin alone cant save you.
The sentence pivots on a quiet correction: "It takes us away from home, but more important..". The first clause could be sold as escapism, the cozy idea that books transport. Rhys undercuts that comfort. The deeper promise of reading isnt flight; its adaptation. "Finds homes for us everywhere" suggests a portable belonging, not tied to bloodlines or property or the approval of a gatekeeping majority. Its a radical, almost suspicious kind of citizenship: you become fluent in other lives.
The subtext is that "home" is not sacred, and maybe never was. Reading makes you less loyal to the myths that keep people obedient - nation, class, even family scripts - because it keeps offering alternative rooms to stand in. The brilliance is the double edge: immigration is loss, but also possibility. Rhys turns literature into a passport that doesnt erase your origin; it teaches you how to live with the fact that origin alone cant save you.
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| Topic | Book |
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