"Reagan's dead, and he was a lousy President"
About this Quote
Bluntness is the point: it’s a sentence engineered to refuse the soft-focus etiquette that typically descends the moment a famous person dies. Olbermann doesn’t just criticize Reagan; he punctures the cultural script that demands instant sanctification. The opening clause, “Reagan’s dead,” functions like a gate being slammed shut: the news is acknowledged, the obligatory moment of reverence is implied, then denied. The second clause pivots on “and,” a conjunction usually used to smooth ideas together. Here it’s a cudgel, linking death to judgment as if the two belong in the same breath, because Olbermann is challenging the notion that mortality should launder power.
The subtext is about memory as a battleground. Reagan occupies an unusually protected place in conservative mythology, a president marketed as national dad, optimism incarnate, the Great Communicator. Calling him “lousy” is less a nuanced policy brief than a deliberate insult to that brand - a way of signaling that the harms associated with the Reagan era (inequality’s acceleration, union-busting symbolism, AIDS-era indifference, Iran-Contra’s shadow) don’t disappear because the protagonist has exited the stage. It’s also a performance of media counter-programming: Olbermann, a TV journalist who built a persona on moralistic indictment, aims to seize the mic during a ritualized news cycle and reframe it as accountability rather than tribute.
Context matters: in 2004, partisan media was hardening into identity, and Reagan’s death triggered a wave of nostalgic canonization. Olbermann’s line is meant to sound indecorous because indecorum is the critique - a refusal to confuse politeness with truth.
The subtext is about memory as a battleground. Reagan occupies an unusually protected place in conservative mythology, a president marketed as national dad, optimism incarnate, the Great Communicator. Calling him “lousy” is less a nuanced policy brief than a deliberate insult to that brand - a way of signaling that the harms associated with the Reagan era (inequality’s acceleration, union-busting symbolism, AIDS-era indifference, Iran-Contra’s shadow) don’t disappear because the protagonist has exited the stage. It’s also a performance of media counter-programming: Olbermann, a TV journalist who built a persona on moralistic indictment, aims to seize the mic during a ritualized news cycle and reframe it as accountability rather than tribute.
Context matters: in 2004, partisan media was hardening into identity, and Reagan’s death triggered a wave of nostalgic canonization. Olbermann’s line is meant to sound indecorous because indecorum is the critique - a refusal to confuse politeness with truth.
Quote Details
| Topic | Savage |
|---|---|
| Source | Help us find the source |
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