"Recently I've been collecting Star Wars figures again. When I was a kid I couldn't afford them. Now I can so I've been buying them and keeping them in their box for a later date when they'll be worth a lot of money"
About this Quote
Nostalgia, in Mackenzie Crook's hands, comes with a price tag and shrink wrap. He frames the return to Star Wars figures as a small personal victory over childhood scarcity: the adult who can finally buy what the kid couldn't. But the punchline is that he doesn't actually play with them. He seals them away, treating the toy less as a toy than as proof that time has been conquered and pain can be refinanced.
That twist is the subtext: consumer culture offers a neat, seductive swap. Instead of revisiting a fandom for pleasure, you can convert it into an investment story - one that feels responsible, even savvy. Keeping the figures "in their box" is doing double duty. It's collector logic (condition is value), but it's also emotional self-protection. Unboxing would make the object ordinary again; preservation keeps it mythical, like childhood itself.
Crook's tone lands because he's an actor, not a financial columnist. There's an everyday confession quality to it, the kind of casually self-aware absurdity you hear in green rooms and pub conversations: yes, it's ridiculous, yes, I'm doing it anyway. The context is a generation raised on blockbuster franchises now old enough to have disposable income - and living in an economy where "worth a lot of money" is a comforting fantasy. It's not greed so much as a coping strategy: if you can't buy back the past, you can at least buy a sealed version of it and call it a plan.
That twist is the subtext: consumer culture offers a neat, seductive swap. Instead of revisiting a fandom for pleasure, you can convert it into an investment story - one that feels responsible, even savvy. Keeping the figures "in their box" is doing double duty. It's collector logic (condition is value), but it's also emotional self-protection. Unboxing would make the object ordinary again; preservation keeps it mythical, like childhood itself.
Crook's tone lands because he's an actor, not a financial columnist. There's an everyday confession quality to it, the kind of casually self-aware absurdity you hear in green rooms and pub conversations: yes, it's ridiculous, yes, I'm doing it anyway. The context is a generation raised on blockbuster franchises now old enough to have disposable income - and living in an economy where "worth a lot of money" is a comforting fantasy. It's not greed so much as a coping strategy: if you can't buy back the past, you can at least buy a sealed version of it and call it a plan.
Quote Details
| Topic | Nostalgia |
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