"Regarding fame, fortune and Oregon I do wish I had more money"
About this Quote
Fahey’s line lands like a deadpan punchline from a man who spent his career dodging the normal machinery of celebrity. He stacks “fame, fortune and Oregon” as if they’re equivalent life outcomes - three items on the same oddly specific menu - then quietly admits the one thing he actually wants: cash. The humor is in the mismatch. Fame is supposed to buy fortune; Oregon is supposed to buy peace. Fahey implies he got neither in any stable, usable way.
The subtext is a critique of the romantic myth around the “cult genius” musician. Fahey helped invent American Primitive guitar, influenced generations, and still often lived with the financial precarity that shadows artists whose work is revered more than it’s consumed. Saying “I do wish I had more money” isn’t greedy; it’s the unsentimental truth beneath all the critical praise and late-bloom rediscovery. It’s also an indictment of an industry - and a listening culture - that treats originality as a vibe rather than a livelihood.
Oregon, dropped into the sentence with no explanation, reads like a private joke and a postcard from retreat culture: the dream of escaping to some rainy, affordable haven where the noise dies down. But even that pastoral exit requires resources. Fahey’s genius is making the complaint sound almost polite, like a man apologizing for needing rent. The line works because it refuses the inspiring narrative. It’s an artist reminding you that admiration doesn’t pay, and mystique doesn’t cover dental.
The subtext is a critique of the romantic myth around the “cult genius” musician. Fahey helped invent American Primitive guitar, influenced generations, and still often lived with the financial precarity that shadows artists whose work is revered more than it’s consumed. Saying “I do wish I had more money” isn’t greedy; it’s the unsentimental truth beneath all the critical praise and late-bloom rediscovery. It’s also an indictment of an industry - and a listening culture - that treats originality as a vibe rather than a livelihood.
Oregon, dropped into the sentence with no explanation, reads like a private joke and a postcard from retreat culture: the dream of escaping to some rainy, affordable haven where the noise dies down. But even that pastoral exit requires resources. Fahey’s genius is making the complaint sound almost polite, like a man apologizing for needing rent. The line works because it refuses the inspiring narrative. It’s an artist reminding you that admiration doesn’t pay, and mystique doesn’t cover dental.
Quote Details
| Topic | Money |
|---|---|
| Source | Help us find the source |
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