"Relationships in general make people a bit nervous. It's about trust. Do I trust you enough to go there?"
About this Quote
LaBute’s line treats romance less like destiny and more like a controlled burn: everyone’s interested in the heat, nobody wants to get singed. The casual phrasing, “a bit nervous,” understates what he’s really naming - the quiet panic of surrendering leverage. “In general” widens the target beyond couples to a culture trained to keep exits visible. Relationships aren’t scary because feelings are messy; they’re scary because they create accountability. They make your private self legible to someone else.
The engine here is the pivot to “trust,” then the sharper, more revealing question: “Do I trust you enough to go there?” “There” stays deliberately vague, a blank space the listener fills with whatever they fear most: sex, commitment, honesty, conflict, dependence. That ambiguity is the point. LaBute’s work often circles power games and moral testing; he’s interested in how people negotiate intimacy like a contract, how quickly tenderness can become a trap or a tool. The subtext is that “trust” isn’t a warm feeling, it’s a risk calculation - a bet that the other person won’t weaponize your openness.
As a director, LaBute writes dialogue that sounds conversational while smuggling in a worldview: desire is real, but so is self-protection. The sentence structure performs the very hesitation it describes. The first line generalizes, creating cover; the second narrows to principle; the third becomes a personal dare. It’s not an invitation to love. It’s a stress test.
The engine here is the pivot to “trust,” then the sharper, more revealing question: “Do I trust you enough to go there?” “There” stays deliberately vague, a blank space the listener fills with whatever they fear most: sex, commitment, honesty, conflict, dependence. That ambiguity is the point. LaBute’s work often circles power games and moral testing; he’s interested in how people negotiate intimacy like a contract, how quickly tenderness can become a trap or a tool. The subtext is that “trust” isn’t a warm feeling, it’s a risk calculation - a bet that the other person won’t weaponize your openness.
As a director, LaBute writes dialogue that sounds conversational while smuggling in a worldview: desire is real, but so is self-protection. The sentence structure performs the very hesitation it describes. The first line generalizes, creating cover; the second narrows to principle; the third becomes a personal dare. It’s not an invitation to love. It’s a stress test.
Quote Details
| Topic | Relationship |
|---|
More Quotes by Neil
Add to List







