"Remorse for what? You people have done everything in the world to me. Doesn't that give me equal right?"
About this Quote
It is the logic of grievance dressed up as a demand for symmetry. Manson’s “Remorse for what?” isn’t a question so much as a barricade: it preempts moral accountability by dragging the listener into an argument about fairness. The pivot - “You people have done everything in the world to me” - is deliberately vague, a fog machine that turns any concrete harm he caused into a reaction to an undefined, omnipresent enemy. “You people” functions as a catchall: society, authority, the media, the courts, anyone convenient to indict. It’s collective blame as a psychological alibi.
The line’s specific intent is to reframe remorse as optional, even irrational, because the speaker claims a prior debt. He wants “equal right” not in the civic sense of rights under law, but in the crude ledger-book sense: injury earns injury; humiliation authorizes cruelty. That’s the rhetorical move that makes it chillingly effective. It borrows the language of justice while evacuating justice of proportion, evidence, or responsibility.
Context matters because Manson’s notoriety was fueled not only by the crimes linked to his orbit, but by his public performance of defiance. He understood the camera and the courtroom as stages where he could recast himself from perpetrator into persecuted icon. The subtext is recruitment: if the world is irredeemably hostile, then conscience is just a trap set by “you people,” and violence becomes self-defense by another name.
The line’s specific intent is to reframe remorse as optional, even irrational, because the speaker claims a prior debt. He wants “equal right” not in the civic sense of rights under law, but in the crude ledger-book sense: injury earns injury; humiliation authorizes cruelty. That’s the rhetorical move that makes it chillingly effective. It borrows the language of justice while evacuating justice of proportion, evidence, or responsibility.
Context matters because Manson’s notoriety was fueled not only by the crimes linked to his orbit, but by his public performance of defiance. He understood the camera and the courtroom as stages where he could recast himself from perpetrator into persecuted icon. The subtext is recruitment: if the world is irredeemably hostile, then conscience is just a trap set by “you people,” and violence becomes self-defense by another name.
Quote Details
| Topic | Anger |
|---|---|
| Source | Help us find the source |
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