"Restaurants are a wonderful escape for me. And are for a lot of people"
About this Quote
Talese makes escapism sound almost suspiciously wholesome, which is exactly the point. The line has the plainspoken cadence of a working reporter, but it’s also a quiet manifesto from a writer who built a career on treating everyday spaces as theaters of human meaning. “Restaurants” aren’t just where you eat; they’re where you can disappear in public without having to explain yourself. That’s the paradox he’s pointing at: the most social of places can double as a private refuge.
The phrasing is deliberately unflashy. “Wonderful escape” is soft, almost childlike, then he tacks on the addendum: “And are for a lot of people.” That second sentence widens the frame from confession to observation, a classic Talese move. He’s not trying to be precious about his own rituals; he’s defending them as democratic. Restaurants become a shared loophole in the day: a sanctioned pause from domestic roles, office pressures, loneliness, or the demands of being “on.”
Context matters here because Talese’s journalism has always been fascinated with the infrastructure of ordinary life - the backstage labor, the rituals, the incidental interactions. A restaurant is a perfect Talese setting: staff and regulars, strangers and performances, status and intimacy, all compressed into a room designed for comfort. Subtextually, he’s also sketching what good narrative does. It offers an “escape” that doesn’t require distance; it requires attention. You step into a restaurant, and the world keeps moving, just slightly reframed.
The phrasing is deliberately unflashy. “Wonderful escape” is soft, almost childlike, then he tacks on the addendum: “And are for a lot of people.” That second sentence widens the frame from confession to observation, a classic Talese move. He’s not trying to be precious about his own rituals; he’s defending them as democratic. Restaurants become a shared loophole in the day: a sanctioned pause from domestic roles, office pressures, loneliness, or the demands of being “on.”
Context matters here because Talese’s journalism has always been fascinated with the infrastructure of ordinary life - the backstage labor, the rituals, the incidental interactions. A restaurant is a perfect Talese setting: staff and regulars, strangers and performances, status and intimacy, all compressed into a room designed for comfort. Subtextually, he’s also sketching what good narrative does. It offers an “escape” that doesn’t require distance; it requires attention. You step into a restaurant, and the world keeps moving, just slightly reframed.
Quote Details
| Topic | Food |
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