"Results are uncertain even among the more experienced photographers"
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"Results are uncertain even among the more experienced photographers" reads like a shrug dressed up as professional humility, but in a criminal’s mouth it becomes something sharper: a ready-made alibi. Brady isn’t merely commenting on the fickleness of exposure times or the quirks of chemistry. He’s laundering responsibility through the language of craft. If experts can’t guarantee an outcome, then failure isn’t failure - it’s physics, it’s process, it’s bad luck. That’s a convenient story when your work depends on plausible deniability.
The line also quietly elevates the speaker. By invoking "more experienced photographers", Brady places himself inside that world, or at least adjacent to it, positioning uncertainty as a badge of insider knowledge. It’s a classic move: claim the authority of the trade while emphasizing the trade’s unpredictability. In criminal contexts, that’s not small talk; it’s groundwork for misdirection. Uncertainty becomes cover, a fog machine.
Historically, photography carried a reputation for truth-telling even when the technology was temperamental. Brady exploits that cultural trust while reminding us the medium is never as objective as we want it to be. The subtext is that images - like narratives - can be botched, manipulated, or disputed, and that gap between what happened and what can be proven is where criminals operate. The quote works because it sounds reasonable, even responsible, while quietly widening the space for doubt.
The line also quietly elevates the speaker. By invoking "more experienced photographers", Brady places himself inside that world, or at least adjacent to it, positioning uncertainty as a badge of insider knowledge. It’s a classic move: claim the authority of the trade while emphasizing the trade’s unpredictability. In criminal contexts, that’s not small talk; it’s groundwork for misdirection. Uncertainty becomes cover, a fog machine.
Historically, photography carried a reputation for truth-telling even when the technology was temperamental. Brady exploits that cultural trust while reminding us the medium is never as objective as we want it to be. The subtext is that images - like narratives - can be botched, manipulated, or disputed, and that gap between what happened and what can be proven is where criminals operate. The quote works because it sounds reasonable, even responsible, while quietly widening the space for doubt.
Quote Details
| Topic | Art |
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