"Right now I just finished writing the music for a Rugrats feature film and the third week of September I go to London, and the Orchestra is going to perform the score"
About this Quote
There is a delicious whiplash in hearing Mark Mothersbaugh talk about a Rugrats feature film like its the Royal Philharmonic and the moon landing rolled into one. Thats the point. He frames childrens animation with the logistics and prestige language of Serious Music: a deadline, a trip to London, an orchestra performing the score. The sentence is basically a résumé flex delivered in the calm tone of someone describing their grocery list, and that understated confidence is part of the subtext.
Mothersbaugh came out of Devo, a band built on the idea that pop culture is a machine you can hack. This quote shows him doing exactly that from the inside. Rugrats isnt positioned as a guilty pleasure or a side hustle; its treated as a full-scale cinematic commission worthy of transatlantic travel and orchestral muscle. Hes normalizing the idea that the boundary between high and low art is mostly a scheduling problem.
The context matters: late-90s Hollywood was busy turning TV cartoons into prestige-adjacent franchises, and orchestral scoring was a key tool in that upgrade. By emphasizing London and the orchestra, Mothersbaugh signals craft and scale, but also lets a bit of punk glee peek through. The sly implication is that the same culture that once dismissed weird art kids is now paying them to give a toddlers cartoon the sonic grandeur of a blockbuster. Thats not selling out; its infiltration with a conductor.
Mothersbaugh came out of Devo, a band built on the idea that pop culture is a machine you can hack. This quote shows him doing exactly that from the inside. Rugrats isnt positioned as a guilty pleasure or a side hustle; its treated as a full-scale cinematic commission worthy of transatlantic travel and orchestral muscle. Hes normalizing the idea that the boundary between high and low art is mostly a scheduling problem.
The context matters: late-90s Hollywood was busy turning TV cartoons into prestige-adjacent franchises, and orchestral scoring was a key tool in that upgrade. By emphasizing London and the orchestra, Mothersbaugh signals craft and scale, but also lets a bit of punk glee peek through. The sly implication is that the same culture that once dismissed weird art kids is now paying them to give a toddlers cartoon the sonic grandeur of a blockbuster. Thats not selling out; its infiltration with a conductor.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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