"Rock is young music, it is youth oriented. It just speaks for a generation"
About this Quote
Rock gets framed here less as a genre than as a delivery system for youth identity. Ruben Blades isn’t praising distorted guitars so much as naming the social contract behind them: rock works when it functions like a megaphone for people who don’t yet have institutional power but do have volume, style, and a shared sense of being misunderstood.
The line is deceptively simple, almost like a press quote, but the intent is strategic. By calling rock “young music,” Blades separates it from the adult world of polished consensus. Youth-oriented art doesn’t have to be technically superior; it has to feel like it belongs to you, not your parents, not the state, not the old gatekeepers. “It just speaks for a generation” carries a double edge: rock becomes both spokesperson and ventriloquist. It amplifies real frustration, sure, but it can also package that frustration into a marketable posture - rebellion with a barcode.
Context matters because Blades comes from Latin music traditions where “speaking” for people has long been explicit: salsa, nueva cancion, and politically conscious songwriting often aim directly at lived conditions, not just vibe. When he gestures toward rock’s generational voice, he’s implicitly comparing how different scenes build community and credibility. Rock’s claim to represent “a generation” is powerful because it’s broad, but that breadth is also its weakness. Which generation? Whose youth? The quote nods to rock’s cultural muscle while quietly admitting its central myth: that a single sound can stand in for millions of messy, unequal lives.
The line is deceptively simple, almost like a press quote, but the intent is strategic. By calling rock “young music,” Blades separates it from the adult world of polished consensus. Youth-oriented art doesn’t have to be technically superior; it has to feel like it belongs to you, not your parents, not the state, not the old gatekeepers. “It just speaks for a generation” carries a double edge: rock becomes both spokesperson and ventriloquist. It amplifies real frustration, sure, but it can also package that frustration into a marketable posture - rebellion with a barcode.
Context matters because Blades comes from Latin music traditions where “speaking” for people has long been explicit: salsa, nueva cancion, and politically conscious songwriting often aim directly at lived conditions, not just vibe. When he gestures toward rock’s generational voice, he’s implicitly comparing how different scenes build community and credibility. Rock’s claim to represent “a generation” is powerful because it’s broad, but that breadth is also its weakness. Which generation? Whose youth? The quote nods to rock’s cultural muscle while quietly admitting its central myth: that a single sound can stand in for millions of messy, unequal lives.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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