"Rotten travesty. Yeah. Send me to jail for contempt. Try that. Go ahead"
About this Quote
"Rotten travesty" lands like a verdict, not a complaint. Kevorkian isn’t debating policy; he’s declaring the moral court corrupt. The clipped profanity of disgust does two jobs at once: it frames the proceedings (or public outrage) as theater, and it denies his opponents the dignity of being treated as sincere arbiters. Calling it a travesty implies the system isn’t merely mistaken, it’s perversely inverted - punishing the person arguing for mercy while protecting the machinery of prolonged suffering.
Then he pivots to provocation: "Send me to jail for contempt. Try that. Go ahead". It’s a dare, but also a strategy. Contempt of court is usually a tool to discipline disorder; Kevorkian turns it into a stage direction. If the state jails him for contempt, it validates his narrative that authority cares more about obedience than ethics. He’s inviting the spectacle because spectacle is leverage: a jailed Kevorkian becomes a symbol, a martyr to the right-to-die movement, and a headline that forces the public to pick a side.
The repetition and staccato cadence read as controlled anger, almost performative defiance. He’s refusing the posture of the penitent defendant; he wants to be seen as the prosecutor of a culture that medicalizes dying and criminalizes agency. In the 1990s, as his assisted suicides and eventual conviction became national flashpoints, this tone mattered. It’s not just rebellion - it’s an attempt to shift the locus of shame from the accused to the accusers.
Then he pivots to provocation: "Send me to jail for contempt. Try that. Go ahead". It’s a dare, but also a strategy. Contempt of court is usually a tool to discipline disorder; Kevorkian turns it into a stage direction. If the state jails him for contempt, it validates his narrative that authority cares more about obedience than ethics. He’s inviting the spectacle because spectacle is leverage: a jailed Kevorkian becomes a symbol, a martyr to the right-to-die movement, and a headline that forces the public to pick a side.
The repetition and staccato cadence read as controlled anger, almost performative defiance. He’s refusing the posture of the penitent defendant; he wants to be seen as the prosecutor of a culture that medicalizes dying and criminalizes agency. In the 1990s, as his assisted suicides and eventual conviction became national flashpoints, this tone mattered. It’s not just rebellion - it’s an attempt to shift the locus of shame from the accused to the accusers.
Quote Details
| Topic | Justice |
|---|
More Quotes by Jack
Add to List








