"Sarah is very strong. She's really intelligent and she's very physically capable. I like to put that into my own life as well"
About this Quote
Strahovski isn’t praising “Sarah” in the abstract; she’s quietly rewriting the job description for women on screen. By stacking three kinds of strength - emotional grit (“very strong”), mental sharpness (“really intelligent”), and bodily competence (“physically capable”) - she pushes back against a familiar entertainment template where toughness is either a costume or a quirk, and intelligence is treated as an accessory to beauty. The repetition of “very” and “really” reads like insistence, as if she’s underlining traits that audiences still treat as exceptions rather than defaults.
The final pivot - “I like to put that into my own life as well” - is where the quote does its cultural work. It shifts the character from product to model. Strahovski frames Sarah not just as someone she plays but as someone she borrows from: a transferable blueprint for living. That’s a revealing kind of actor-talk, because it collapses the usual boundary between performance and personhood. She’s saying the role offers her a vocabulary for selfhood, one built on capability rather than likability.
Contextually, it lands in the era of “strong female character” marketing, when studios learned to sell empowerment while often flattening it into attitude. Strahovski’s wording avoids that trap by being concrete. Strength isn’t a snarl or a one-liner; it’s competence across domains. The subtext is aspirational but also defensive: yes, women can be formidable without being dehumanized, and yes, that’s worth carrying off the set.
The final pivot - “I like to put that into my own life as well” - is where the quote does its cultural work. It shifts the character from product to model. Strahovski frames Sarah not just as someone she plays but as someone she borrows from: a transferable blueprint for living. That’s a revealing kind of actor-talk, because it collapses the usual boundary between performance and personhood. She’s saying the role offers her a vocabulary for selfhood, one built on capability rather than likability.
Contextually, it lands in the era of “strong female character” marketing, when studios learned to sell empowerment while often flattening it into attitude. Strahovski’s wording avoids that trap by being concrete. Strength isn’t a snarl or a one-liner; it’s competence across domains. The subtext is aspirational but also defensive: yes, women can be formidable without being dehumanized, and yes, that’s worth carrying off the set.
Quote Details
| Topic | Self-Improvement |
|---|---|
| Source | Help us find the source |
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