"Science is defined in various ways, but today it is generally restricted to something which is experimental, which is repeatable, which can be predicted, and which is falsifiable"
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Lang’s definition reads less like a lab manual than a border checkpoint. By stacking “experimental,” “repeatable,” “predictable,” and “falsifiable,” he’s not merely describing science; he’s policing it, tightening the term around a particular 20th-century ideal of legitimacy. The cadence is telling: four criteria in a row, each one narrowing the funnel until only certain kinds of knowledge make it through. It’s an argument disguised as a neutral glossary entry.
The subtext is defensive. “Defined in various ways” concedes ambiguity, then “but today it is generally restricted” signals a cultural moment when science felt newly powerful and newly contested. Mid-century modernity ran on expertise: atomic physics, antibiotics, systems engineering, the space race. But it also bred competing claims dressed up as “science” - from spiritualist pseudoscience to political ideologies borrowing scientific authority. Lang’s list functions as a corrective to that creep: if you can’t test it, repeat it, forecast it, and potentially disprove it, you don’t get to wear the lab coat.
His phrasing also smuggles in Popperian philosophy without the name: falsifiability as the ultimate humility clause. Not “proven,” not “true,” but vulnerable to being wrong. Coming from a director, the line carries an extra irony: film is a domain of persuasive illusion, of controlled outcomes, of narratives that “predict” by design. Lang seems to admire a stricter world where claims must risk failure in public, where reality, not rhetoric, gets final cut.
The subtext is defensive. “Defined in various ways” concedes ambiguity, then “but today it is generally restricted” signals a cultural moment when science felt newly powerful and newly contested. Mid-century modernity ran on expertise: atomic physics, antibiotics, systems engineering, the space race. But it also bred competing claims dressed up as “science” - from spiritualist pseudoscience to political ideologies borrowing scientific authority. Lang’s list functions as a corrective to that creep: if you can’t test it, repeat it, forecast it, and potentially disprove it, you don’t get to wear the lab coat.
His phrasing also smuggles in Popperian philosophy without the name: falsifiability as the ultimate humility clause. Not “proven,” not “true,” but vulnerable to being wrong. Coming from a director, the line carries an extra irony: film is a domain of persuasive illusion, of controlled outcomes, of narratives that “predict” by design. Lang seems to admire a stricter world where claims must risk failure in public, where reality, not rhetoric, gets final cut.
Quote Details
| Topic | Science |
|---|---|
| Source | Help us find the source |
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