"Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write"
About this Quote
There is a quiet violence in Ishiguro’s offhand list of “screenplays,” “journalism,” and “travel books”: respectable work, even prestigious work, framed here as noise. The sentence moves like someone clearing a desk with one sweep of the arm. He’s not insulting those forms so much as naming the seductive detours they offer a literary novelist who needs rent money, validation, or simply a way to keep typing. The bluntness of “I didn’t really care” is the point. It rejects the polite fiction that all writing gigs are part of a single vocation. For him, they’re adjacent industries.
The subtext is about self-trust under pressure. Ishiguro came up in a UK literary scene where “serious” writers were expected to be versatile, articulate in public, and available for commissions. The line “getting my writer friends to write about their dreams or something” skewers a certain kind of cultural production: the cleverly packaged, magazine-friendly prompt that turns interiority into content. That “or something” is doing heavy lifting; it’s a shrug at the churn of arts coverage and the ways writers can become curators of other writers’ vibes.
Then comes the pivot: “I just determined to write the books I had to write.” Not “wanted,” “planned,” or “could sell,” but “had to,” suggesting obligation to an inner project rather than an audience. It’s a credo of artistic refusal: choosing the long, risky arc of the novel over the constant drip of assignments, and framing that choice as necessity, not romance.
The subtext is about self-trust under pressure. Ishiguro came up in a UK literary scene where “serious” writers were expected to be versatile, articulate in public, and available for commissions. The line “getting my writer friends to write about their dreams or something” skewers a certain kind of cultural production: the cleverly packaged, magazine-friendly prompt that turns interiority into content. That “or something” is doing heavy lifting; it’s a shrug at the churn of arts coverage and the ways writers can become curators of other writers’ vibes.
Then comes the pivot: “I just determined to write the books I had to write.” Not “wanted,” “planned,” or “could sell,” but “had to,” suggesting obligation to an inner project rather than an audience. It’s a credo of artistic refusal: choosing the long, risky arc of the novel over the constant drip of assignments, and framing that choice as necessity, not romance.
Quote Details
| Topic | Writing |
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