"Self-sacrifice enables us to sacrifice other people without blushing"
About this Quote
Shaw turns a halo into a weapon in a single line. The phrase begins with a virtue so burnished it’s almost immune to critique: self-sacrifice. Then he snaps the trap shut: that private moral performance “enables” us to do something public and ugly - sacrifice other people - while keeping our cheeks dry. The target isn’t generosity; it’s the way moral credit gets cashed in as political permission.
The line works because it treats righteousness like a currency. If I’ve suffered, if I’ve “gone without,” I can present myself as incorruptible - the sort of person whose motives shouldn’t be questioned. That credibility becomes leverage: leaders, reformers, parents, ideologues. Once you’re cast as the self-denying type, your demands sound less like coercion and more like duty. Shaw’s sting is the image of “without blushing,” which implies not just hypocrisy but anesthesia: the moral self-image doesn’t merely excuse harm; it dulls the capacity to feel it.
Contextually, this is Shaw in full anti-sentimental mode: the Fabian socialist who distrusted pious narratives, the dramatist who loved puncturing public virtue with backstage logic. Late-Victorian and early-20th-century Britain ran on elevated talk of service, empire, discipline, and reform; “sacrifice” was a cherished word in church, in war rhetoric, and in class morality. Shaw’s subtext: beware any politics that asks for blood, labor, or silence while displaying its own ascetic credentials. The most dangerous cruelty isn’t naked selfishness; it’s cruelty wearing a medal.
The line works because it treats righteousness like a currency. If I’ve suffered, if I’ve “gone without,” I can present myself as incorruptible - the sort of person whose motives shouldn’t be questioned. That credibility becomes leverage: leaders, reformers, parents, ideologues. Once you’re cast as the self-denying type, your demands sound less like coercion and more like duty. Shaw’s sting is the image of “without blushing,” which implies not just hypocrisy but anesthesia: the moral self-image doesn’t merely excuse harm; it dulls the capacity to feel it.
Contextually, this is Shaw in full anti-sentimental mode: the Fabian socialist who distrusted pious narratives, the dramatist who loved puncturing public virtue with backstage logic. Late-Victorian and early-20th-century Britain ran on elevated talk of service, empire, discipline, and reform; “sacrifice” was a cherished word in church, in war rhetoric, and in class morality. Shaw’s subtext: beware any politics that asks for blood, labor, or silence while displaying its own ascetic credentials. The most dangerous cruelty isn’t naked selfishness; it’s cruelty wearing a medal.
Quote Details
| Topic | Ethics & Morality |
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