"Sending our youth to war is wrong"
About this Quote
“Sending our youth to war is wrong” lands with the blunt force of a moral refusal, and it’s that lack of ornament that gives it power. Michael Berryman isn’t polishing a policy memo; he’s making a line in the sand. The phrasing is deliberately plain, almost childlike, as if to say: if you need an argument more complicated than this, you’ve already lost the plot.
The intent is less about geopolitics than about accountability. “Our youth” is doing heavy lifting: it turns an abstract nation-state into a family, a neighborhood, a shared obligation. It also exposes the quiet scam at the heart of many wars: the people most eager to authorize violence are rarely the ones asked to absorb it. Berryman’s sentence implies a grim asymmetry between decision-makers and the decided-upon.
There’s subtext in the verb “sending,” too. It suggests paperwork, orders, logistics, a conveyor belt of consent that can make killing feel administrative. War becomes something adults outsource to the young, then reframe as “service” once the bodies come home. By skipping qualifiers - no “sometimes,” no “if necessary” - he rejects the rhetorical escape hatches politicians rely on.
Context matters: an American actor saying this carries the afterimage of Vietnam, Iraq, Afghanistan, and the steady normalization of endless conflict. Coming from someone whose career has often involved being seen, judged, and typecast, the line also reads as a demand to look directly at who pays the price, and to stop calling it inevitable.
The intent is less about geopolitics than about accountability. “Our youth” is doing heavy lifting: it turns an abstract nation-state into a family, a neighborhood, a shared obligation. It also exposes the quiet scam at the heart of many wars: the people most eager to authorize violence are rarely the ones asked to absorb it. Berryman’s sentence implies a grim asymmetry between decision-makers and the decided-upon.
There’s subtext in the verb “sending,” too. It suggests paperwork, orders, logistics, a conveyor belt of consent that can make killing feel administrative. War becomes something adults outsource to the young, then reframe as “service” once the bodies come home. By skipping qualifiers - no “sometimes,” no “if necessary” - he rejects the rhetorical escape hatches politicians rely on.
Context matters: an American actor saying this carries the afterimage of Vietnam, Iraq, Afghanistan, and the steady normalization of endless conflict. Coming from someone whose career has often involved being seen, judged, and typecast, the line also reads as a demand to look directly at who pays the price, and to stop calling it inevitable.
Quote Details
| Topic | War |
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