"Set me a task in which I can put something of my very self, and it is a task no longer; it is joy; it is art"
About this Quote
Work stops feeling like labor the moment it becomes self-portrait. Bliss Carman, a Confederation-era Canadian poet steeped in Romanticism and early modern self-making, is arguing for an older, quietly radical idea: effort isn’t redeemed by efficiency or reward, but by presence. The line turns on a small hinge word - “very.” Not just skill, not just time, but “my very self”: temperament, longing, private obsession. Once that enters the room, the “task” dissolves as a category. Carman isn’t denying difficulty; he’s denying drudgery’s power to define the experience.
The subtext is a critique of the industrializing world tightening around his lifetime, where work increasingly meant specialization, wage logic, and measurable output. Against that, Carman offers a counter-economy: joy as the true compensation, art as the ultimate reframing. It’s a seductive move because it doesn’t romanticize idleness; it honors discipline, but insists discipline becomes livable when it carries interior meaning. Even the syntax performs the transformation: “task” appears twice, the first as burden, the second negated. Identity is the solvent.
There’s also a gentle elitism hiding in the glow. Not everyone gets to choose tasks that can hold a “very self.” Carman’s ideal assumes agency and a world that will let you convert personality into vocation. Still, the sentence endures because it captures a modern hunger: to be more than useful. In an age of gigs, metrics, and burnout, the quote reads less like a poetic flourish than a demand that work justify itself by letting a person show up whole.
The subtext is a critique of the industrializing world tightening around his lifetime, where work increasingly meant specialization, wage logic, and measurable output. Against that, Carman offers a counter-economy: joy as the true compensation, art as the ultimate reframing. It’s a seductive move because it doesn’t romanticize idleness; it honors discipline, but insists discipline becomes livable when it carries interior meaning. Even the syntax performs the transformation: “task” appears twice, the first as burden, the second negated. Identity is the solvent.
There’s also a gentle elitism hiding in the glow. Not everyone gets to choose tasks that can hold a “very self.” Carman’s ideal assumes agency and a world that will let you convert personality into vocation. Still, the sentence endures because it captures a modern hunger: to be more than useful. In an age of gigs, metrics, and burnout, the quote reads less like a poetic flourish than a demand that work justify itself by letting a person show up whole.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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