"She goes from one addiction to another. All are ways for her to not feel her feelings"
About this Quote
Burstyn’s line lands because it refuses the glamorous mythology of “the addict” and swaps it for something bluntly human: avoidance. The pivot from “one addiction to another” makes compulsion look less like a single villain and more like a coping style that shape-shifts to survive. It’s not just substances; it’s anything that can numb, distract, anesthetize. The real object of dependency isn’t a drug or a habit, it’s the temporary disappearance of interior life.
The second sentence is the knife. “Not feel her feelings” is deliberately plain, almost childlike, and that simplicity is the point: the emotional problem is basic and unprocessed, while the behavioral scaffolding becomes elaborate. Burstyn, as an actress, understands how people perform wellness. The phrasing implies a character who can’t tolerate the ordinary weather of sadness, shame, grief, boredom - so she builds a revolving door of substitutes. When one fails (because it always does), another rushes in to keep the system intact.
The subtext is quietly accusatory toward the stories we tell about willpower. If addiction is framed as moral weakness, the solution becomes discipline. If it’s framed as an intolerance for feeling, the solution becomes reckoning: therapy, support, community, time, and the terrifying practice of staying present. Burstyn’s intent feels less diagnostic than compassionate, but it’s a hard compassion - the kind that insists the real drama isn’t the relapse; it’s the emotional truth the relapse is hired to silence.
The second sentence is the knife. “Not feel her feelings” is deliberately plain, almost childlike, and that simplicity is the point: the emotional problem is basic and unprocessed, while the behavioral scaffolding becomes elaborate. Burstyn, as an actress, understands how people perform wellness. The phrasing implies a character who can’t tolerate the ordinary weather of sadness, shame, grief, boredom - so she builds a revolving door of substitutes. When one fails (because it always does), another rushes in to keep the system intact.
The subtext is quietly accusatory toward the stories we tell about willpower. If addiction is framed as moral weakness, the solution becomes discipline. If it’s framed as an intolerance for feeling, the solution becomes reckoning: therapy, support, community, time, and the terrifying practice of staying present. Burstyn’s intent feels less diagnostic than compassionate, but it’s a hard compassion - the kind that insists the real drama isn’t the relapse; it’s the emotional truth the relapse is hired to silence.
Quote Details
| Topic | Mental Health |
|---|---|
| Source | Help us find the source |
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