"Since that time up until the present time, there have been progress, and changes all through the time. The changes have not come by themselves; these changes have come from the doings of everyone in the country"
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Progress, in Bhumibol Adulyadej's framing, is neither a miracle nor a messiah story. It is accounting. The repetition of "time" and the deliberately plain cadence do the work of monarchy in a modern state: sounding less like command and more like civic common sense. He is not romanticizing change; he is domesticating it, taking a potentially destabilizing force and recasting it as something incremental, legible, and therefore governable.
The key move is the negation: "have not come by themselves". That line quietly rejects fatalism and, just as pointedly, rejects the idea that any single institution can claim sole authorship of national improvement. Coming from a king whose reign spanned coups, rapid development, and intense contest over legitimacy, the sentence is a political balancing act. It offers affirmation to ordinary citizens ("everyone in the country") while simultaneously protecting the moral authority of the crown: the nation advances when the nation acts, and the crown stands as narrator and guarantor of that collective narrative.
The subtext is cohesion. In a Thailand repeatedly pulled between democratic aspiration, military intervention, and royal symbolism, emphasizing shared "doings" functions as a soft directive: keep working, keep cooperating, keep the story of the country continuous even when its politics aren't. It's rhetoric designed to cool volatility, to imply that stability and progress are a collective discipline, not a sudden rupture.
The key move is the negation: "have not come by themselves". That line quietly rejects fatalism and, just as pointedly, rejects the idea that any single institution can claim sole authorship of national improvement. Coming from a king whose reign spanned coups, rapid development, and intense contest over legitimacy, the sentence is a political balancing act. It offers affirmation to ordinary citizens ("everyone in the country") while simultaneously protecting the moral authority of the crown: the nation advances when the nation acts, and the crown stands as narrator and guarantor of that collective narrative.
The subtext is cohesion. In a Thailand repeatedly pulled between democratic aspiration, military intervention, and royal symbolism, emphasizing shared "doings" functions as a soft directive: keep working, keep cooperating, keep the story of the country continuous even when its politics aren't. It's rhetoric designed to cool volatility, to imply that stability and progress are a collective discipline, not a sudden rupture.
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