"Since, therefore, individuals as well as the public are so indebted to these writers for the benefits they enjoy, I think them not only entitled to the honour of palms and crowns, but even to be numbered among the gods"
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There is a deliciously self-serving generosity to Vitruvius praising writers with palms, crowns, even divinity: it flatters the dead, but it also elevates the living professions built on their work. An architect in the late Republic doesn’t just lay bricks; he needs authority. By insisting that both private individuals and the public are "indebted" to writers, Vitruvius turns technical knowledge into civic infrastructure. Books become aqueducts for the mind: invisible, indispensable, and worth public honor.
The subtext is anxiously Roman. This is a culture obsessed with monuments and legacy, where glory is usually earned on battlefields or in the Senate. Vitruvius attempts a quiet coup, claiming comparable prestige for intellectual labor. Crowns and palms evoke official reward and triumph; to extend that language to authors is to argue that writing can win victories too - victories over ignorance, over time, over the fragility of oral tradition. His "therefore" signals a carefully built syllogism, like a well-proportioned temple: gratitude should scale with benefit; writers benefit everyone; so gratitude should be extreme.
Numbering writers "among the gods" is not literal piety so much as rhetorical engineering. It sacralizes a canon, making certain texts untouchable and their lessons compulsory. In a period of political volatility and cultural borrowing from Greece, deifying writers also stabilizes identity: Rome can import ideas, then consecrate them as part of its own civic religion. Vitruvius is arguing for an empire run not only by power, but by preserved knowledge - and for his own craft to be treated accordingly.
The subtext is anxiously Roman. This is a culture obsessed with monuments and legacy, where glory is usually earned on battlefields or in the Senate. Vitruvius attempts a quiet coup, claiming comparable prestige for intellectual labor. Crowns and palms evoke official reward and triumph; to extend that language to authors is to argue that writing can win victories too - victories over ignorance, over time, over the fragility of oral tradition. His "therefore" signals a carefully built syllogism, like a well-proportioned temple: gratitude should scale with benefit; writers benefit everyone; so gratitude should be extreme.
Numbering writers "among the gods" is not literal piety so much as rhetorical engineering. It sacralizes a canon, making certain texts untouchable and their lessons compulsory. In a period of political volatility and cultural borrowing from Greece, deifying writers also stabilizes identity: Rome can import ideas, then consecrate them as part of its own civic religion. Vitruvius is arguing for an empire run not only by power, but by preserved knowledge - and for his own craft to be treated accordingly.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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