"Since we didn't use guns, we wanted to make sure we could earn the ability to win the audience over by making it believable. A lot of what you do when you work out in that mode is use your mental energy"
About this Quote
There is a quiet flex in Lucy Liu framing believability as something you earn, especially when you take the obvious shortcut off the table. The “guns” here aren’t just weapons; they’re cinematic cheat codes: noise, spectacle, instant authority. By pointing out their absence, Liu is really talking about the kind of action performance that has to persuade without intimidation, where credibility lives in the body’s smallest decisions rather than in props.
Her language reveals an actor’s bargain with the audience. “Win the audience over” treats viewers as skeptics, not passive consumers. The subtext: people don’t automatically buy you as dangerous, skilled, or in control, particularly when you’re a woman in action space that’s historically been coded male and hardware-heavy. So the performance can’t rely on the mythology of firepower; it has to manufacture its own gravity.
The phrase “work out in that mode” is telling. She’s describing acting like training: repetition, discipline, and stamina, but aimed inward. Physicality matters, yet she insists the real fuel is “mental energy” - concentration, visualization, and commitment to the reality of stakes that aren’t literally present. That’s how choreography stops looking like choreography and starts reading as intention.
Contextually, it lands as a peek behind late-90s/2000s action aesthetics (think slick fight design, charisma-as-weapon). Liu’s intent is to reposition action acting as craft, not just adrenaline: if you can’t blast your way to power, you have to think your way there.
Her language reveals an actor’s bargain with the audience. “Win the audience over” treats viewers as skeptics, not passive consumers. The subtext: people don’t automatically buy you as dangerous, skilled, or in control, particularly when you’re a woman in action space that’s historically been coded male and hardware-heavy. So the performance can’t rely on the mythology of firepower; it has to manufacture its own gravity.
The phrase “work out in that mode” is telling. She’s describing acting like training: repetition, discipline, and stamina, but aimed inward. Physicality matters, yet she insists the real fuel is “mental energy” - concentration, visualization, and commitment to the reality of stakes that aren’t literally present. That’s how choreography stops looking like choreography and starts reading as intention.
Contextually, it lands as a peek behind late-90s/2000s action aesthetics (think slick fight design, charisma-as-weapon). Liu’s intent is to reposition action acting as craft, not just adrenaline: if you can’t blast your way to power, you have to think your way there.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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