"Since writing JAWS, I've been lucky enough to do close to forty television shows about wildlife in the oceans, and yes, I have been attacked by sea creatures once in a while"
About this Quote
Benchley slips a whole career pivot into a breezy aside. The man who helped invent the modern “shark panic” narrative frames himself not as a novelist who terrified beachgoers, but as a veteran ocean hand: forty TV shows, oceans plural, a working life spent in the real water. That opening clause, “Since writing JAWS,” works like a timestamp and a confession. He knows the cultural shadow of the book is unavoidable, so he leans into it as origin story, then immediately redirects the spotlight to what came after: public-facing wildlife storytelling.
The subtext is reputational housekeeping. Benchley spent years publicly regretting how Jaws supercharged fear of sharks and fed a macho, conquest-minded view of the sea. By emphasizing television work “about wildlife,” he positions himself on the side of ecology and education, not exploitation. It’s a quiet corrective: yes, I wrote the blockbuster that made sharks movie monsters; also, I’ve tried to spend decades restoring the ocean’s complexity.
Then there’s the wink: “and yes.” He anticipates the audience’s question because he understands the media loop he helped create - danger sells. The line about being attacked “once in a while” deflates the expected horror-movie climax. It’s gallows-humor as calibration, a way of saying the ocean is risky, but not mythic. Benchley’s intent is to humanize expertise, to trade sensational fear for lived familiarity, without pretending the water is harmless.
The subtext is reputational housekeeping. Benchley spent years publicly regretting how Jaws supercharged fear of sharks and fed a macho, conquest-minded view of the sea. By emphasizing television work “about wildlife,” he positions himself on the side of ecology and education, not exploitation. It’s a quiet corrective: yes, I wrote the blockbuster that made sharks movie monsters; also, I’ve tried to spend decades restoring the ocean’s complexity.
Then there’s the wink: “and yes.” He anticipates the audience’s question because he understands the media loop he helped create - danger sells. The line about being attacked “once in a while” deflates the expected horror-movie climax. It’s gallows-humor as calibration, a way of saying the ocean is risky, but not mythic. Benchley’s intent is to humanize expertise, to trade sensational fear for lived familiarity, without pretending the water is harmless.
Quote Details
| Topic | Ocean & Sea |
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