"Sinful and forbidden pleasures are like poisoned bread; they may satisfy appetite for the moment, but there is death in them at the end"
About this Quote
Edwards doesn’t argue against pleasure so much as he weaponizes its logic: appetite. By comparing “sinful and forbidden pleasures” to “poisoned bread,” he frames wrongdoing not as glamorous rebellion but as bad nutrition - the kind of mistake you make when you’re hungry, rushed, and willing to ignore the smell. Bread is domestic, ordinary, almost sacred in Christian imagery. Poison doesn’t change what it looks like; it changes what it does. That’s the subtext: temptation isn’t usually monstrous. It’s familiar, available, and plausibly justified in the moment.
The sentence is built like a trap you can hear closing. “May satisfy” concedes the immediate payoff, granting the listener their lived experience - yes, it feels good, it scratches the itch. Then the pivot: “but.” Edwards insists the moral ledger isn’t balanced at the point of pleasure; it’s balanced at the end. The line smuggles in a theology of delayed consequences: sin as something that borrows joy on credit and pays it back with interest.
Context matters. A 19th-century American theologian is speaking into a culture obsessed with self-mastery, moral reform, and public respectability, where “forbidden” often meant not only spiritual peril but social collapse. “Death” functions on two registers at once: literal spiritual death (separation from God) and the more worldly ruin that follows compulsions left unchecked. It’s a sermon distilled into a household warning - not “don’t want,” but “wanting can kill you if you stop thinking about where it leads.”
The sentence is built like a trap you can hear closing. “May satisfy” concedes the immediate payoff, granting the listener their lived experience - yes, it feels good, it scratches the itch. Then the pivot: “but.” Edwards insists the moral ledger isn’t balanced at the point of pleasure; it’s balanced at the end. The line smuggles in a theology of delayed consequences: sin as something that borrows joy on credit and pays it back with interest.
Context matters. A 19th-century American theologian is speaking into a culture obsessed with self-mastery, moral reform, and public respectability, where “forbidden” often meant not only spiritual peril but social collapse. “Death” functions on two registers at once: literal spiritual death (separation from God) and the more worldly ruin that follows compulsions left unchecked. It’s a sermon distilled into a household warning - not “don’t want,” but “wanting can kill you if you stop thinking about where it leads.”
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Help us find the source |
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