"Singing is a form of admitting that I'm alive"
About this Quote
Singing, for Alfredo Kraus, isn’t decoration; it’s evidence. “Admitting that I’m alive” turns performance into confession, as if the voice were a witness testifying on the singer’s behalf. The verb matters: to admit is to surrender a truth you can’t keep sealed. It suggests that being alive isn’t a steady state but a fact you sometimes have to prove to yourself, especially when your instrument is your own body and it can fail you without warning.
Kraus came up in an era when the operatic tenor was treated like a kind of glamorous machine: deliver the high notes, hit your marks, repeat. He was famous for discipline and longevity, which makes the line sharper. It’s not the casual “singing makes me feel alive” of a pop interview. It’s closer to a craftsman’s grim joy: each performance is a roll call where the voice answers present. Underneath is the knowledge that the singing voice is finite, fragile, and public. You don’t just age in private; you age in front of an audience trained to hear every crack.
There’s also a quiet defiance in it. If to sing is to admit you’re alive, then silence becomes a kind of disappearance - whether from illness, fear, grief, or the slow erosion of confidence. Kraus frames song as a deliberate act of presence, a chosen way to take up space and say: I’m still here, and you can hear it.
Kraus came up in an era when the operatic tenor was treated like a kind of glamorous machine: deliver the high notes, hit your marks, repeat. He was famous for discipline and longevity, which makes the line sharper. It’s not the casual “singing makes me feel alive” of a pop interview. It’s closer to a craftsman’s grim joy: each performance is a roll call where the voice answers present. Underneath is the knowledge that the singing voice is finite, fragile, and public. You don’t just age in private; you age in front of an audience trained to hear every crack.
There’s also a quiet defiance in it. If to sing is to admit you’re alive, then silence becomes a kind of disappearance - whether from illness, fear, grief, or the slow erosion of confidence. Kraus frames song as a deliberate act of presence, a chosen way to take up space and say: I’m still here, and you can hear it.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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